Comics https://comicbook.com/comics/feed/rss/ Thu, 23 Nov 2023 10:27:37 +0000 en-US hourly 1 Comics RSS Generator Titans: Beast World's Tom Taylor Reveals Why Beast Boy is at the Heart of DC's First Crossover Titans Event https://comicbook.com/comics/news/tom-taylor-reveals-why-beast-boy-is-at-the-heart-of-dcs-first-crossover-titans-event/ Thu, 23 Nov 2023 00:03:00 +0000 Matthew Aguilar d1a5bdfc-53ae-44d8-9ce2-debefce6bb8b
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Ultimate Spider-Man Trailer Reveals First Look at Married Peter Parker https://comicbook.com/comics/news/ultimate-spider-man-trailer-first-look-married-peter-parker/ Wed, 22 Nov 2023 22:08:00 +0000 Timothy Adams dff8f3ec-fa41-4fdd-b922-b31f64fbfa76
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Boruto: Two Blue Vortex Introduces a New Brand of Enemy https://comicbook.com/anime/news/boruto-two-blue-vortex-new-enemy-villains-divine-trees-alive/ Wed, 22 Nov 2023 22:03:00 +0000 Kofi Outlaw ff612188-97e0-4546-b1bd-d80355e61a69

The Naruto Saga has dropped another big twist on fans, as seen in the latest chapter of Boruto: Two Blue Vortex. The first Boruto series redefined everything we know about the Shinobi world and its great enemy, The Otsutsuki Clan, as well as the villains' true plans for Earth using the Ten-tails and Divine Tree. However, now Boruto: Two Blue Vortex has revealed that thanks to the events of Boruto: Naruto Next Generations' final arc, a new enemy has arisen to threaten the world - a bigger threat than the Otsutsuki may have ever been!

(SPOILERS) Boruto: Two Blue Vortex Chapter 4 picks up with Boruto tracking his foe cyborg foe Code to the lair where he's hiding a Ten-Tails. The only thing is, when Boruto and Code both look, the Ten-Tails is no longer imprisoned: it's broken free on its own and changed form, taking on a much more humanoid appearance. Code is bewildered: Boruto had warned him that his gang of pet Ten-Tails was about to break off their leash - but Code never thought that meant literally!

New Naruto Villians: The Divine Trees

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(Photo: Viz Media)

Boruto reveals to Code that what he's seeing is the unexpected offshoot of whatever "enhancement" process was done to the Ten-Tails (as seen in Chapter 2). The normal process of a Ten-Tails is to devour the chakra of whatever is fed to them until they consume an Otsutsuki and become a Divine Tree, capable of siphoning the chakra of entire planets, which surviving Otsutsuki then consume as chakra fruit, extending their lives and helping them evolve their powers and forms. However, Code's changes to the Ten-Tails birthed self-awareness in the Divine Trees they form - and now those Divine Trees are alive and sentient - and hungry to consume.

There's a lot we still don't know about the years that Boruto was on the run from Hidden Leaf Village, under Sasuke's tutelage. These first four chapters of Two Blue Vortex have peppered in some pretty big clues:

  • Code enhanced the Ten-Tails and used them as his own soldiers.
  • Code's Ten-Tails would bite their non-Otsutsuki victims, turning them into Divine Trees wherever they stood.
  • Those Divine Trees became sentient and created bodies for themselves using a hybrid of the genetic imprints of those trapped in the Divine Trees and the Ten-Tails.
  • Sasuke is one of the people who was trapped inside a Divine Tree (for an unknown length of time). Subsequently, one of the living Divine Trees is a clone of Sasuke.
  • Boruto and his new teacher Koji Kashin (Jiraiyas' clone) learned what was happening with the Divine Tree and tried to avert it - but were clearly too late. Koji makes it sound as if Plan B will be an all-out war against the Divine Trees, for the fate of the planet.

Boruto: Two Blue Vortex releases new chapters online.

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DC Reveals the Identity & Origin of Superman's Newest Supervillain The Chained https://comicbook.com/comics/news/dc-superman-chained-sammy-stryker-origin-powers-explained/ Wed, 22 Nov 2023 19:42:00 +0000 Kofi Outlaw 26ed2b10-37d9-4df8-90a5-a901a90816d5

DC has finally revealed the true identity of Superman's newest supervillain threat, The Chained. And, as teased earlier in the current story arc, The Chained's identity and origin are deeply rooted in the shady history of Metropolis and its power players!

Superman #8 serves as "The Chained: Part Three" and the issue opens on a flashback of The Chained as a young boy named Samuel (or "Sammy"). However, Sam isn't just any young boy: he's the son of Sebastian Stryker, the affluent Metropolis industrialist who built the Stryker's Island Penitentiary.

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(Photo: DC Comics)

Through a flashback conversation between Lex Luthor, Sebastian Stryker, and Carl Draper (aka The Master Jailer), we learn that Sebastian Stryker actually handed his son over to Lex for experimentation. The result was Lex successfully fitting Sammy with a metahuman ability: Tactile Telekinesis, the same power that would later be given to the Superboy clone Cadmus created.

However, Sammy Stryker's Tactile Telekinesis power operates at a level that Connor Kent could never imagine, and it quickly becomes apparent that Superboy's powers are just a fraction of The Chained's abilities.

During the course of the story in Superman #8, we get brushstrokes of history that make it clear there's one pivotal scene we have yet to witness: what inevitably went wrong between father and son. In his own version of "coming clean," Lex reveals to Superman that Sammy's power (and mind) became a threat. At some point, for whatever reason, Sammy and Sebastian Stryker had a falling out, which led to the son murdering the father. After that, Lex hatched a plan to bind and contain Sammy, locking him away in a cell below Stryker's Island until Luthor's mysterious old rivals Dr. Pharm and Mister Graft manipulated Superman into freeing him.

With The Chained's origin revealed, DC has given Superman a supervillain that both challenges him on a power-to-power level, but also offers a lot of ties back to the history of Metropolis and some larger Superman lore. In this origin reveal alone we see how Sammy Stryker is tied to Lex Luthor, Superboy, Stryker's Island, and The Master Jailer, quickly marking him as a pivotal and important character, even though he's just made his debut.

The end of the issue also reveals that Lex built one key weakness into Sammy Stryker: Kryptonite. That flaw allowed Superman (in a protective suit) to subdue Sammy long enough for capture - but has cost Clark Kent his on vitality. The Chained may be out of the game now, but it's clear what kind of damage he can (and probably will) do, when he inevitably gets loose again.

Superman is on sale from DC Comics. Read the synopsis below:

THE MAN OF STEEL VS. CHAINED! Powerless! Superman versus the Chained concludes! One of the biggest battles Metropolis has ever witnessed comes down to Superman doing the unthinkable and sacrificing his powers to stop the Chained. How does that impact Lex Luthor's plans...or is Lex too busy dealing with the shocking return of his mother in Superman #850?!

Written by: Joshua Williamson
Art by: Gleb Melnikov, Norm Rapmund, David Balde?n, Jamal Campbell
Colors by: Alejandro S?nchez, Jamal Campbell
Letters by: Dave Sharpe
Cover art by: Jamal Campbell
Cover price: $4.99
Release date: November 21, 2023

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(Photo: DC Comics)
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Top 10 Comic Books Rising in Value in the Last Week Include Madame Web, The Authority, and Alien Legion https://comicbook.com/comics/news/top-10-comic-books-rising-value-madame-web-the-authority-alien-legion/ Wed, 22 Nov 2023 18:55:00 +0000 Matt DeVoe c346d8d0-569e-439d-9367-0d5a778153f5

Happy Thanksgiving from those of us at CovrPrice! There was a lot to be thankful for for comic fans last week! The trailer for Madame Web finally dropped, propelling several books to high spots on this list. Robert Kirkman may have let a little secret out that has fans buzzing about the Sentry. Fans are still seeing Captain Marvel, causing multiple books to trend. Clarity has arrived regarding a future 'Alien' project, along with some casting news for the Authority. A new king graces the pages of Black Panther, and the fanbase is all in! Dive into this week's Top Ten for all the details that emerged last week and why these books are trending!

Want to know what comic books are trending each week and why? COVRPRICE.COM uses live sales analytics to identify and compile the most robust market price guide, highlighting the weekly top trending comics. No opinions. Just data. Each week, they present a newly updated list of the TOP 10 COMICS trending in the aftermarket. These trends are due to rumors, fan-favorite covers, story-driven content, and content-related news.

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FIRST OFF: WANT TO WIN FREE STUFF!? COVRPRICE.COM is partnering with CGC, CLZ, FIGPINS, BOOM! STUDIOS, and MASSIVE PUBLISHING to offer some incredible giveaways for BLACK FRIDAY & CYBER MONDAY! CHECK IT OUT!

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#10 BLACK PANTHER #6 - DOALY (1:25) | MARVEL | 2023 When fans saw the solicitation for this book, their attention was immediately on King M'Teli. This 1:25 variant from Doaly was the king of the pack, featuring an exceptionally regal M'Teli gracing the cover. We tracked a high sale of $167 for a raw copy and a current raw NM FMV of $110.

#9 THE SENTRY #1 | MARVEL | 2000 Robert Kirkman recently appeared on a livestream with David Finch and remarked, "My good friend Steven Yuen is playing the Sentry in a movie." There was some other context behind it, but you get the point. Fans immediately hit up the aftermarket in search of a copy! We tracked a high sale of $350 for a CGC 9.8 copy and a raw NM FMV of $109.

#8 YOUNG AVENGERS #1 | MARVEL | 2005 *POTENTIAL SPOILERS FOR THE MARVELS* This book was going gangbusters during the incredible hype that WanaVision produced. It has done so again, partly due to the end credit scene in The Marvels teasing the Young Avengers. We tracked a high sale of $350 for a CGC 9.8 and a current raw NM FMV of $70.

#7 X-MEN #164 | MARVEL | 1982 ***SPOILER ALERT*** This comic book is tied directly to the end-credit scene of "The Marvels" movie. This book features the first appearance of Carol Danvers as Binary. The mention of Binary in the end credit scene has significant implications for the future of the Marvel Cinematic Universe (MCU). As a result, this book has gained a lot of attention. The highest sale was for a CGC 9.8 copy, selling for $250, and a raw VF copy is $27.

#6 THE AUTHORITY #1 | DC | 1999 This book is significant because it features the first team appearance of "The Authority." It experienced a surge in demand when Gunn made his announcement and has surged again thanks to James Gunn confirming Mar?a Gabriela de Far?a's casting as the second Engineer in the upcoming "Superman: Legacy" project. This version of the Engineer first appeared in this comic, causing it to skyrocket in aftermarket demand. The highest sale was for a CGC 9.8 copy, which sold for $300, and the current fair market value for a raw NM copy is $46.

#5 MARVEL SUPER-HEROES SECRET WARS #7 - DIRECT | MARVEL | 1984 This book features the first full appearance of the second Spider-Woman, Julia Carpenter. We have a distinct shot of Sweeney rocking the famous costume in the trailer. It appears we will get a trio of Spider-Gals in the film, and since this rumor first circulated, Sweeney as Carpenter has been the one the fanbase wanted. It appears we may get just that! We tracked a high sale of $250 for a CGC 9.8 copy and a raw VF FMV of $16.

#4 AMAZING FANTASY #1 | MARVEL | 2004 This book popped off when the initial Madame Web rumors began to swirl. The community had it pegged from the get-go that Isabela Merced would portray Arana Corazon, who first appeared in this book, in the film. With the trailer finally dropping, we saw the character in action, albeit briefly, and sporting her iconic goggles like she does in the comics. The community has their eyes on the character and this book! We tracked a high sale of $180 for a CGC 9.8 and a raw NM FMV of $34.

#3: AMAZING SPIDER-MAN #210 | MARVEL | 1980 The last time this book hit our list (in the newsstand edition) was after Sony announced plans to move forward with a Madame Web solo film. Subsequently, her first appearance started seeing some heat in the aftermarket. We tracked a high sale of $975 for a CGC 9.8 current raw VF FMV of $81.

#2 AMAZING SPIDER-MAN #30 | MARVEL | 2001 Sony confirmed a 2022 rumor that Ezekial Sims would appear in Madame Web, and he's being marketed as the movie's villain. His first appearance was in this comic book alongside Morlun. This issue is significant for several reasons. The fanbase is becoming increasingly interested in the Spider-Totem aspect of the story told within this book. The highest sale was for a CGC 9.8 copy, which sold for $200, and the current fair market value for a raw NM copy is $47.

#1 THE ALIEN LEGION #1 | MARVEL | 2001 Per The Hollywood Reporter, Tim Miller, of Deadpool fame, is set to adapt Alien Legion and grow it into a space opera franchise. Prices are rising thanks to the level of entry, prevalence, and the quickly dwindling market of cheap copies. We tracked a high sale of $158 for a CGC 9.8 copy and a current raw FN FMV of $10.

And that's your TOP 10 COMICS OF THE WEEK for 11/20/23! Want to know what your comic books are worth? COVRPRICE.COM offers the ULTIMATE price guide with LIVE ungraded (raw) and graded sales for today's market trends. Manage your collection and track your portfolio's overall value with our robust tracking systems. With a free 10-day trial and several affordable price tiers, discover the value of your comics and sign up today! CHECK OUT THE TOP 10 ON OUR YOUTUBE CHANNEL. PLEASE LIKE & SUBSCRIBE!

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Marvel Teases Nightcrawler's Secret History in X-Men Blue: Origins #1 (Exclusive) https://comicbook.com/comics/news/marvel-nightcrawler-secret-history-x-men-blue-origins-preview/ Wed, 22 Nov 2023 17:17:00 +0000 Timothy Adams 6db80d6b-1313-41ea-acb7-8b8c01d4c3db
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Comic Book Reviews for This Week: 11/22/2023 https://comicbook.com/comics/news/new-comic-reviews-dc-marvel-image-november-22-2023/ Wed, 22 Nov 2023 16:00:00 +0000 Chase Magnett 5e38ae9c-6501-4b13-b3a2-537b1b805b2f
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Welcome to this week in comic book reviews! The staff have come together to read and review nearly everything that released today. It isn't totally comprehensive, but it includes just about everything from DC and Marvel with the important books from the likes of Image, Boom, IDW, Dark Horse, Dynamite, and more.

The review blurbs you'll find contained herein are typically supplemented in part by longform individual reviews for significant issues. This week that includes Batman: Off-World #1, Carnage #1, and Somna #1.

Also, in case you were curious, our ratings are simple: we give a whole or half number out of five; that's it! If you'd like to check out our previous reviews, they are all available here.

The Pull List

DC's Trinity Characters are on fire right now: And Superman #8 and Wonder Woman #3 prove it!

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DC #1

BATMAN: OFF-WORLD #1

[READ THE FULL REVIEW HERE]

This is a very promising start to a story. While there are elements that feel at times too familiar--the similarities to Superman's Warworld story, the formulaic nature of Aaron's storytelling--and the lack of depth at times feels a bit like style over substance, the comic book is a fun read and certainly unlike anything occurring in contemporaneous Batman comics. It's entertaining and has obvious room to grow and, if nothing else, the art is out of this world - pun intended. -- Nicole Drum

Rating: 3.5 out of 5

BATMAN/SUPERMAN: WORLD'S FINEST #21

Mark Waid is the perfect writer for this latest arc, thanks to being the mastermind behind Kingdom Come originally. The latest arc continues World's Finest's tradition of being some of the biggest, boldest storytelling in the superhero world. Luckily, Waid's character beats and bigger-than-life stories are accompanied by Dan Mora's artwork that constantly demands readers' attention. Everything is firing on all cylinders in this return to the dark future presented in Kingdom Come, while also throwing a major curveball that many didn't see coming that gives readers a better foundation as to how Mangog came about in general. World's Finest is, simply put, superheroes at their finest and it's a strong recommendation for fans old and new. -- Evan Valentine

Rating: 5 out of 5

CATWOMAN #59

With "Gotham War" now in the past, Catwoman is sent down a path that's filled with potential, even at its most dated. Selina's exploration of her "nine lives" begins to unfold in a matter that perfectly blends the book's capacity for grounded and larger-than-life, and Tini Howard's script venturing out of Gotham City is a welcomed change of pace. The art from Stefano Raffaele is largely well-executed, especially where the action is occured, even if there is a fair amount of focus on characters' backsides. Here's hoping the "Nine Lives" arc only gets even better from here. -- Jenna Anderson

Rating: 3.5 out of 5

GREEN LANTERN: WAR JOURNAL #3

War Journal continues to throw some interesting challenges Jon Stewart's way, while incorporating several elements from the DC Universe as a whole. Where this new series excels is focusing on Jon's relationship with his mother, while attempting to juggle his family with the horrors of a new Green Lantern-sized threat in the "Radiant Dead". The one-sided conversation that Stewart has with his ailing mother is the highlight of this third issue, as Jon both praises his mother and knocks himself. The addition of the new Green Lanterns is a little complicated, but the threat of the Revenant Queen remains a creepy enough one to warrant their introduction. War Journal is a series worthy of one of the greatest Green Lanterns so far. -- Evan Valentine

Rating: 3.5 out of 5

HARLEY QUINN: BLACK + WHITE + REDDER #5

The final issue of Harley Quinn: Black + White + Redder is perhaps the most unique of the run but that's not a bad thing with three very different stories each with very different takes on Harley that show both the wide range and the endless potential of DC's most dynamic character. The real standout of the issue is the first story, a medieval alternate universe tale for Harley from Matheus Lopes and Bilquis Evely that has some of the most gorgeous art in this entire series as well as one of its most inventive takes on Harley/Joker to date. The second story is a little more complicated, a story from Justin Halpern and Kath Lobo that arguably may understand Harley the least as it sees her perhaps the most darkly villainous to date, but it's certainly an interesting lean-in for the character complete with some expressive and interesting art. The final installment is the closest to the "real" Harley and Speremint does a fantastic job of bringing humor. In terms of how the stories are paired with one another, it certainly feels strange, but the individual parts are solid. It's a good issue and a good finale. -- Nicole Drum

Rating: 3.5 out of 5

HAWKGIRL #5

The majority of this issue is spent going down Hawkgirl's timeline as Vulpecula attempts to coerce Kendra's younger selves. To her credit, younger Kendras have the willpower to resist Vulpecula's advances and offerings. It's a wonderfully drawn comic, and really gives the spotlight to Kendra's Hawkgirl throughout the years. -- Tim Adams

Rating: 4 out of 5

JAY GARRICK: THE FLASH #2

Judy Garrick, a.k.a. The Boom, is the star of this latest issue, and results in a good portion of enjoyment for readers as she marvels as the wonders of the modern age. Jay, on the other hand, finds himself at a loss thanks to his overprotectiveness, unable to hide his emotions, that are humorously being exhibited at super speed. "Ro-Bear" is a bit too head-scratching as a threat, but Jay Garrick's newest title does a solid enough job at combining silver age antics with modern storytelling. While this issue does continue to lay the groundwork for the current mystery surrounding the Garrick family, it also falls a little short when it comes to following up on the series' premiere. -- Evan Valentine

Rating: 3 out of 5

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DC #2

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(Photo: DC)

JUSTICE LEAGUE VS. GODZILLA VS. KONG #2

The battle of literal Titans continues in Justice League vs. Godzilla vs. Kong, and so far the series is living up to the bonkers premise. The sense of scale created by artist Christian Duce and florist Luis Guerrero is truly something to behold, allowing Godzilla, Camazotz, and more to be the imposing forces of nature that fans love. Camazotz is especially impressive, making the Bat-family look like ants by comparison, but writer Brian Buccellato utilizes that mismatch to showcase what makes Batman and the rest of the Family so special, and the back and forth between the two stole the show for me. That's not taking anything away from the Superman vs. Godzilla throwdown mind you, as that also delivers, and I'm quite excited to see what else the series has in store for the rest of DC's heroes in future issues. This is just bombastic fun, and should only get better when Kong enters the picture. -- Matthew Aguilar

Rating: 4 out of 5

JUSTICE SOCIETY OF AMERICA #7

Even seven issues into its run, Justice Society of America remains primarily focused on introducing new characters and assembling its team, which would be sufficient drag without the lackadaisical pacing evident in issue #7. Many characters appear for a single sequence and hardly establish anything new before disappearing again; the choice to include the briefest of interrogations with Jean Loring, former host of Eclipso (a piece of, fortunately, largely forgotten DC lore) does so little in these pages that it's questionable whether readers will remember it at all next month. An excessive number of splashes, including some truly underwhelming uses of space, like the depiction of Icicle in a jail cell, suggest a story being stretched too thin despite possessing dozens of characters. Defining exactly what Justice Society of America is about or who its central characters are is difficult and with single issues stretched as thin as this one, it's becoming increasingly difficult to care. -- Chase Magnett

Rating: 2 out of 5

NIGHTWING #108

From the leap, it's clear Stephen Byrne should have been drawing Nightwing stories long, long ago. Beyond that, Taylor's script refuses to pull any punches as the writer continues punishing Dick Grayson one panel after the next. Maybe it's sadistic, but it's a treat to see the writer work his magic on this character and story. -- Adam Barnhardt

Rating: 4 out of 5

SUPERMAN #8

Superman is truly in a new golden age, and no where is that more apparent than Superman #8. New story threads abound throughout the issue, and Joshua Williamson pulls at just the right ones with expert precision, revealing new layers to what's happening now and teasing important elements for what is to come. The Chained's backstory brings several long disparate elements together in a meaningful and streamlined way, but also maintains focus on the current main story at hand. The team of Gleb Melnikov, Norm Rapmund, David Baldeon, Jamal Campbell, Alejandro Sanchez, and Dave Sharpe deliver a true team effort, with their various styles shinning through without feeling choppy or breaking the reader's immersion in the story. Between The Chained, Lex's history, Pharm and Graft's backstory and future plans, and Superman's status quo, there's plenty to be excited for in Superman, and that isn't changing anytime soon. -- Matthew Aguilar

Rating: 5 out of 5

TITANS #5

Titans #5 shows readers just how well Tom Taylor can balance two storylines at once, with his script here managing to tie both timelines together with ease. Even though the title says this is the end of the first arc, it feels incomplete and unrealized, but that's not necessarily a bad thing. The pieces are moved right where they need to be for future storytelling as this title moves forward at a breakneck pace. -- Adam Barnhardt

Rating: 3.5 out of 5

WONDER WOMAN #3

Tom King's Wonder Woman run continues to worsen with each issue and Wonder Woman #3 somehow manages to be a truly unexpected combination of dull, confusing, and outright gross in not only it's cheap and borderline offensive reliance on issues of mental health--particularly PTSD and suicide--among soldiers but also in its mischaracterization of Wonder Woman herself. Wonder Woman comes across as naive and inept, the Sovereign drives a soldier to suicide using the Lasso of Lies and manipulation seemingly just for fun (or, in King's case as the writer here, shock value, which is disgusting) and then there is the thinly veiled misogyny that is supposed to be "story" but feels anything but. Oh, and there's a random pregnancy. For stakes. Even the art here feels weirdly out of proportion, which is not normal for Sampere. Everything here is distorted and off. Everything about this series to date has been uncomfortable but this issue goes beyond that to disrespectful for no real narrative value. -- Nicole Drum

Rating: 1 out of 5

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Marvel #1

THE AMAZING SPIDER-MAN #38

Rek-Rap's adventures wrap up just in time for "Gang War" to begin and readers of Amazing Spider-Man have a lot to appreciate in this ludicrous, streamlined adventure through the halls of Limbo before excessive crossovers and a dour mood take hold. Peter and Rek-Rap's escape from Limbo stages the finale and a bit of time dilation provides ample space for plenty of new gags. Whether it's the groveling submission of Rek-Rap's demonic nemeses after listening to the hero for far too long or a montage of absurd demonic threats, every new panel set in Limbo delivers big laughs. The answer as to who is wearing Re-Po's mask proves more satisfying and appropriate in their horrific demise, reminding readers of the long-term delights found in sprawling runs like Amazing Spider-Man. The final few pages are dedicated to hooking readers for "Gang War" and that trope-laden section doesn't add much to an otherwise delightful issue, but there's no doubt that Rek-Rap has left his mark on Marvel Comics this year. -- Chase Magnett

Rating: 4 out of 5

AVENGERS INC. #3

Avengers Inc. has one of the strangest premises for any Marvel book on the market today, but in that, the comic is able to find its strength. Seeing Janet Van Dyne teaming up with "Victor Shade", who is an exceptionally difficult character to explain, as superhero detectives is a captivating one. Avengers Inc. is exceptionally strong at creating a mystery that is "one and done" in a single issue, making you feel as though you are getting your money's worth as a reader. Whether you're an Avengers fan or simply a fan of all things Marvel, Avengers Inc. delivers a worthwhile read when it comes to interesting detective work, something that we don't see that often in the superhero realm. -- Evan Valentine

Rating: 4 out of 5

CAPTAIN MARVEL #2

One of the biggest changes in Captain Marvel's new series is the comic book's supporting cast, and it's always a bit dicey to switch up something that works to try something untested. The risk is paying off though, as writer Alyssa Wong has already found a welcome rhythm for Carol Danvers and Yuna Yang. Yang has already mastered the ability of calling out Carol's habits and tendencies, and that accountability has always been important to Carol's friendships with other characters. The book also shakes up Carol's rogues gallery, and while Omen doesn't appear much in the issue, her presence is clearly felt. Omen's power set brings a refreshingly off kilter threat into Carol's orbit, and that threat is conveyed beautifully by artist Jan Bazaldua and colorist Bryan Valenza. The swapping places aspect to all this is also carving out its own path apart from The Marvels, and the series is also successfully finding its own space within the Captain Marvel mythos. The vision is starting to become much clearer, and we seem to be in store for one hell of a ride. -- Matthew Aguilar

Rating: 4 out of 5

CARNAGE #1

[READ THE FULL REVIEW HERE]

The issue raises some interesting questions but seems unsure about how to answer them. Casting Carnage in his godhood as a reflection of those fascinated by what he represents is a high concept worth exploring. Gr?nbekk, P?rez, and Arciniega seem to be recasting Carnage as a 21st-century Corinthian, which is a bold move. However, this issue gets too caught up in the sensational aspects of Carnage's bloodlust, losing sight of that overarching theme. Carnage #1 is on the cusp of something worthwhile but hasn't fully invested. -- Jamie Lovett

Rating: 3 out of 5

DAREDEVIL: BLACK ARMOR #1

Let's head back to a time when Daredevil actually wore an appropriate costume for his street-level crimefighting. I remember reading comics back during this era and picking up some Daredevil comics featuring the new look. As we head back here, we see Matt Murdock living under his Jack Batlin alias, still helping to protect Hell's Kitchen even if his life is upside down. -- Tim Adams

Rating: 3 out of 5

IMMORTAL X-MEN #17

With Lucas Werneck moving on to other things, Marvel Comics calls on Juan Jose Ryp to draw Immortal X-Men #17 and it proves to be an issue that plays to the artist's considerable strengths. There remains a natural wonder to behold on Krakoa, even in its fallen state, and plenty of grisly moments as the mutants trapped in the White Hot Room struggle against their devils. Ryp's intricate, detailed linework brings out both beauty and horror, even if the coloring sometimes seems to bring a soft filter to the visuals. I've gone on at length in past reviews about how brilliant Kieron Gillen's idea to take the "Fall of X" in a Biblical direction is, and it continues to be a highlight of the line here. While Exodus and Hope have to reckon with devils among them as well as those that threaten them from without, Professor X is forced to make a deal with the devil inside of his head in one last desperate attempt to serve the greater good. Hope and Jean Grey, meanwhile, take on angelic roles, Hope the avenging type and Jean the amnesiac. The end result is a devilish delight to read. -- Jamie Lovett

Rating: 4.5 out of 5

THE INCREDIBLE HULK #6

I know I've mentioned it in other reviews from this series but Johnson and Klein's Incredible Hulk is as gnarly a Marvel comic book as I think I've seen in years. There's one scene involving Bruce's transformation into Hulk that will stick in my mind for a very long time. As if The Incredibly Hulk wasn't good enough on its own, bringing a Ghost Rider into the mix only makes it better. -- Charlie Ridgely

Rating: 5 out of 5

THE INVINCIBLE IRON MAN #12

As he's done throughout much of this run, Gerry Duggan's game of chess takes another step toward an Orchis checkmate. Instead of thrusting Stark's intentions into a shroud of secrecy, this issue gives readers a little glimpse into what the Invincible Iron Man has been planning all along. Featuring stellar lines from guest artist Ig Guara, this is another well-rounded issue in a string of hits. -- Adam Barnhardt

Rating: 4.5 out of 5

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Marvel #2

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(Photo: Marvel Comics)

MARVEL SUPER HEROES SECRET WARS: BATTLEWORLD #1

Marvel Comics' ongoing effort to squeeze new tales between the margins of classic comic book runs from the 1980s proves to, once again, be a mixed bag at best. Marvel Super Heroes Secret Wars: Battleworlds #1 introduces readers to a complete miniseries-sized adventure squeezed between two of the final panels of the original Secret Wars #12. What's immediately apparent is that Secret Wars is a series best remembered for its legacy of crossovers and later titles sharing the same name, not its own merits. While the depictions, tone, and voice surrounding Spider-Man and other familiar Marvel characters are consistent with those from 1984, they're consistently dull. Peter lacks much in the way of motivation when continually adrift amid unexplained settings and a non-stop barrage of one-liners doesn't make him much more appealing nor his circumstances any more interesting. The affair is portrayed in reliable fashion, but lacks any new charm or innovation to appeal to all but the most die-hard of Secret Wars fans. -- Chase Magnett

Rating: 2 out of 5

MOON KNIGHT: CITY OF THE DEAD #5

Moon Knight: City of the Dead sticks the landing with a gripping and genuinely heartfelt finale that will likely have a significant effect on Marc Spector. Writer David Pepose, artist Marcelo Ferreira, inker Jay Leisten, colorist Rachelle Rosenberg, and letterer Cory Petit deliver an issue full of thrilling action sequences that will delight fans of Spector's internal supporting cast, as it's difficult not to cheer when Moon Knight assembles an army of personas on the battlefield. At the heart of this story though are two key relationships, and in both cases Marc has no shortage of guilt and regret. That feeds into some of the issue's most personal moments, and those end up being the issue's best moments too, as Marc processes the loss, hope, and closure those moments ultimately bring. The issue seems to have some big implications for Moon Knight going forward as well, and that lends an importance and weight to what transpired within the series. City of the Dead hit the ground running, and the series finale didn't miss a beat. -- Matthew Aguilar

Rating: 4 out of 5

THE SENSATIONAL SHE-HULK #2

In any other context, pivoting away from your female lead and towards two separate stories of angry, gigantic monster men would be offensive, but Sensational She-Hulk turns it into a clever romp. The main story from Rainbow Rowell and Andres Genolet brings to life an unlikely reunion between Jen and Bruce, which devolves into breezy fight scenes and some moments of pitch-perfect banter from Jen. The backup story from Bobby Wilson and David Cutler, which is the book's reintroduction of Wyatt Wingfoot, is also snappy and flirty enough to leave Shulkie fans wanting more. -- Jenna Anderson

Rating: 4.5 out of 5

STAR WARS: BOUNTY HUNTERS #40

The penultimate issue in the Star Wars: Bounty Hunters crossover with the Dark Droids event, we're given what this ongoing series has a reputation for delivering: weightless wheel-spinning. With Valance being corrupted by the scourge, some bounty hunters are trying to rescue him as others have no problem betraying him, with all the moving pieces and cogs in the machinery also intertwining with the Galactic Empire and Darth Vader himself. As compared to the non-event Bounty Hunters storylines, in which style always took precedence over substance, this issue feels like it wants to only marginally deliver on both fronts, instead opting to just move the pieces on the board into the correct position for the conclusion of the Dark Droids event. In this sense, it's hard to say this issue is a disappointment, since it's not quite actively miserable to get through, more than it's hard to deliver anything especially satisfying when the finale is right around the corner. Anyone particularly invested in this series and these characters will likely appreciate the tension that is mounting, even if this book installment isn't entirely satisfying, though it manages to at least somewhat keep us invested in the final payoff. -- Patrick Cavanaugh

Rating: 3 out of 5

STAR WARS: DARK DROIDS - D-SQUAD #3

At one point in this issue of D-Squad, a character utters, "Finally! Some genuine bedlam!" which seems to sum up the overall vibe of this installment in the miniseries. While we've enjoyed seeing the unexpected gang of droids who have joined forces for the miniseries aiming to put an end to the scourge, the previous issues seemed to skirt by more on good will than on any genuine narrative momentum, and while there's still something to be desired by way of that narrative impetus, this penultimate issue of the story seems to finally be making good on the promise of its premise, showcasing how it could be these batch of droids that stops the scourge from conquering the universe. When all is said and done, we doubt that D-Squad will be looked back on as the crux of Star Wars storytelling in 2023, but given how the Dark Droids event has been a bit underwhelming across its various crossover titles, even being given a somewhat entertaining experience that delivered both action and humor is something worth shining a light on. -- Patrick Cavanaugh

Rating: 4 out of 5

UNCANNY SPIDER-MAN #4

The penultimate issue of Uncanny Spider-Man hurries to stage the pieces for its finale and the end of "Fall of X" resulting in the miniseries' messiest issue to date. Setting aside Mystique's sub-plot, which culminates in an enormous single-page ad for a different comic, leaves the focus on Nightcralwer and Silver Sable's troublesome romance. Following an opening sequence that raises more questions about the status quo surrounding Orchis and Spider-Man than it answers, the star-crossed lovers are given a series of opportunities to reassess where they stand. It's a conflict that was evident from the moment their connection was made clear and these intervening pages provide little additional context or information, primarily serving to stretch out the moments until the finale is presented. Perhaps the addition of X-Men Blue: Origins next week will prove to be a boon for Uncanny Spider-Man or perhaps these story strands were always bound to grow messy, but only time will tell. -- Chase Magnett

Rating: 3 out of 5

WOLVERINE #39

Wolverine #39 is another "team-up of the month" issue, this time pairing Logan with an exiled Black Panther. Getting to see Logan play hard-boiled detective is always fun and we see more of the recent status quo change T'Challa has been dealing with in his own book, but the pair have very little in common beyond their shared history with Storm (I get why she's not here but if you're going to do a crossover with these two it feels like she should be). Overall I'd rank this below the recent issues with Hulk and Captain America but it's still decent. -- Connor Casey

Rating: 3 out of 5

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Other Publishers #1

BLACK HAMMER: THE END #4

Even though this mini-series is titled The End, it feels like there's no end in sight for the tale at hand. Lemire's signature web of mystery grows tenfold at the detriment of a tight, clean plot. Things just kind of exist here as the universe tries to decide what it wants to do with Anti-God. -- Adam Barnhardt

Rating: 3.5 out of 5

THE BONE ORCHARD MYTHOS: TENEMENT #6

In a series filled with experimental storytelling, Jeff Lemire and Andrea Sorrentino's latest issue of The Bone Orchard Mythos: Tenement might be its most ambitious. Early issues of the series failed to really capture a spirit of the characters, making the narrative feel flat, but there's more personality in these pages than earlier ones offered, making this a fun experiment. Sorrentino (aided by Dave Stewart's colors) gets to do his wild splash pages and unique paneling, the kind that elevates the story this time around than one that just calls attention to his style. -- Spencer Perry

Rating: 4 out of 5

BRYNMORE #5

Brynmore ends as abruptly as it started, light on plot, action, spooks, and much of anything at all. The issue has a surprisingly low amount of dialogue for being the final issue in a mini-series, with character's saying three or four words every few panels throughout the entirety of the issue. Though Worm's artwork lends itself to a darker, more terrifying story, this simply wasn't it. The art still stands out, but that's saying little given how it feels this last issue was smushed together. -- Adam Barnhardt

Rating: 2.5 out of 5

CON & ON #5

The inconsistent Con & On comes to a close with perhaps its most poignant issue, but one that still reads like its finger isn't really on the pulse of things. Writer Paul Cornell manages to thread the needle on some of the storylines that have carried over across its five issues, but in the end it's underwhelming despite some dramatic weight to key moments. Artist Marika Cresta and colorist Paul Little bring their best work to the series this time, with some depth to the images that wasn't always present in earlier issues. -- Spencer Perry

Rating: 3 out of 5

CONAN THE BARBARIAN #5

The start to this issue feels somewhat rushed and abrupt after the last arc concluded, but Zub really finds a great rhythm here once he gets going. It's paced much more efficiently than most of that first arc, with the heist element making things more even faster as it goes along. It's not quite as classic Conan as the first four issues, but it's arguably much more entertaining. -- Charlie Ridgely

Rating: 3.5 out of 5

CYBERPUNK 2077: XOXO #2

Although Cyberpunk 2077: XOXO sometimes moves at a languorous pace, the plot is largely beside the point as readers are injected into a hardly-human cyborg's perspective. Wolfish cartoons depict a simplistic emotional landscape that offers all the motivation required amidst so much outrageous carnage, like the lust and desire that drive most impulsive, adolescent decisions. The action itself is the highlight of XOXO #2 as the series' protagonist unleashes hell on his fellow gang members and bystanders alike. Although a handful of sequences are unclear, most of the action beats are brutal and leave no doubt as to what pieces are flying where. Although the nature of the heist and figures involved remains largely ambiguous, readers are pulled along with the protagonist into a conspiracy they lack any context to comprehend. But the toon-like motivations and simplicity of chasing a girl keeps each turn of the page exciting enough to chase those thrills to issue #3. -- Chase Magnett

Rating: 3.5 out of 5

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Other Publishers #2

DARK SPACES: GOOD DEEDS #6

The conclusion to Dark Spaces: Good Deeds reads like watching the end of a Twilight Zone episode on fast-forward. Che Grayson held so much about the story's truth back that makes the preceding five issues feel almost superfluous. A great surprise ending might make you reassess the story that preceded it in a new light, and Good Deeds #6 does that, but in a light that leaves you wondering why you were reading that story instead of the one revealed here, which feels entirely different than the previous installments. There's a sense that the focus was placed on the wrong characters or even the wrong aspects of the right characters. While Kelsey Ramsay's artwork has been strong throughout, it's only now that the story plays into their strengths with grisly transformations and moments of visceral horror. Unfortunately, the themes of the story are muddied through this rushed conclusion, which feels more like a first draft that should have been assessed and led to the story being rebuilt from start to finish. The finished product simply doesn't live up to its potential. -- Jamie Lovett

Rating: 3 out of 5

DARKLING #1

I was pleasantly surprised by Darkling #1, especially because I wasn't familiar with the character until now. The one-shot gives readers a quick, easy-to-digest explanation of Darla Lang's origin story, and her new story allows readers to see her supernatural powers in action. She's a misunderstood, complex character, that is still relatable. It will be fun to see what future adventures she goes on. -- Tim Adams

Rating: 5 out of 5

THE EXPANSE: DRAGON TOOTH #7

Dragon Tooth #7 makes the conspiracy surrounding the Rocinante's crew personal as their investigation uncovers notable revelations and draws a target on at least one member's back. The excitement surrounding this issue's central action sequence is ultimately anti-climactic as the build and anticipation surrounding the event is met with a splash panel that doesn't appear particularly grievous. James Holden's response lacks the fury it claims and appears mostly annoyed in depictions on the page, and those struggles with facial acting are consistent throughout the issue. The mystery itself proves far more gripping with new information about this station and its crew both suggesting something massive on the horizon. However, in this issue it's most impatience that drives readers to wonder what's really happening. -- Chase Magnett

Rating: 2.5 out of 5

GIANT ROBOT HELLBOY #2

Giant Robot Hellboy is why we read comics. Mike Mignola has crafted a story that lovingly pays tribute to classic monster movies and 70s espionage action, while also featuring some amazing connectivity to his own franchise. Series artist Duncan Fegredo is clearly having a blast with this series. Fegredo is already one of the best Hellboy artists of all time but here he creates an entire new wing in his Hall of Fame exhibition for the franchise, bringing his trademark immaculate detail to a type of story that would have seemed impossible for Hellboy. To make it even better, it's a great one. -- Spencer Perry

Rating: 5 out of 5

HACK/SLASH: BACK TO SCHOOL #2

A prevailing motif of Zoe Thorogood's comic work that makes her one of the most exciting creators to read is that she's not too precious about sticking to form. Her experimentation with style and storytelling continues in the second issue of Hack/Slash: Back to School, delivering a story that features not only her own signature style but fully evoking Junji Ito, 8-bit indie video games, and that classic Hack/Slash sex appeal. If you were worried that Thorogood tackling a comic book tentpole would cause her to shy away from what we love about her writing and artwork, hopefully this issue reveals there was no reason to be afraid. Hack/Slash as a franchise has never felt more fresh than it does here. -- Spencer Perry

Rating: 5 out of 5

THE HOLY ROLLER #1

The Holy Roller #1 is interesting. The series has a simple, but solid premise: Levi Cohen comes back home after 20 years to visit his sick father who was a bowling star and in the process had to deal with his own bowling history as well as his place as a Jew in a really racist and awful small town. Throw in a bully who is all grown up and a menace and you've got a pretty interesting story. What doesn't work, however, is the execution of the story. The book's pace is really poorly done with the opening being extremely slow and cluttered and there are some really terrible attempts and humor and jokes. They're not even just bad, they're poorly dated, gimmicky and cheap. There's also a little over-the-top storytelling in the set up for Levi's arc that could really be improved without the gimmicks and jokes. For all of that, however, there's a lot of potential here to explore ideas of legacy, heritage, and the intersection of both along with American cultural decline. If the series somehow manages to dig its way out of bad cliche, it really could be onto something. -- Nicole Drum

Rating: 3 out of 5

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Other Publishers #3

KAPTARA: UNIVERSAL TRUTHS #4

"The Ballad of Skullthor" may still tie into the final couple of issues of Universal Truths or it may exist as a denouement for one character in the series' colorful cast, but it's an excellent single issue either way. It follows Skullthor from the destruction of his vessel to a crash landing on Earth in a model reminiscent of Carpenter's Starman, complete with uncertain romance stretched across cultural and linguistic boundaries. Despite the fundamentally silly nature of both Kaptara and Kaptara, Skullthor provides plenty of sincerity on Earth as a small town diner and mundane humans quickly ground the narrative. There's a surprising degree of sweetness throughout Skullthor's journey of self-discovery; it makes it much easier to invest in the action that follows as who wins the fight isn't even the central question in reader's minds by that point. Although Kaptara: Universal Truths certainly has humor in its heart, issue #4 reminds us that the laughs land as well as they do because the characters involved still possess surprising depths. -- Chase Magnett

Rating: 4 out of 5

KILL YOUR DARLINGS #3

Kill Your Darlings pours on the exposition with its third issue. We finally get back to Rosewood and learn all about how Rose's imaginary world not only lived on after the horrors of Issue #1 but is slowly decaying by whatever caused her mother's death. What "it" is and how it still connects to the real world (and the horrific scenes that open each issue) remain unclear, but the visual of rainbow-colored veins sucking the life out of a vibrant world to leave nothing but desolation and gray makes for some chilling imagery. -- Connor Casey

Rating: 4 out of 5

KILLER QUEENS 2: KINGS NOT WINGS #4

Killer Queens 2: Kings Not Wings is back with a brand-new issue, and the update puts Alex up against their most terrifying opponent yet. After pulling an escape from prison, Alex and Max are left to fend for their reputations. But with the Sarelian King on a rampage, our favs are left with their backs against the wall. -- Megan Peters

Rating: 3 out of 5

LUNAR LODGE #1

Lunar Lodge #1 only summons a broad sketch of a premise by its final page and lacks the execution to make any of the fine details surrounding it clear. The problems for this new Dark Horse miniseries start on the first few pages as a cold open on carnage at an Italian resort gives way to marital suspicions devoid of any basis in reality. In the course of only a few pages it's suggested the protagonist is facing severe financial difficulties but can also chase his wife to a remote location in Montana on a single day's notice. Any reader with a basic knowledge of North American geography will struggle to make the non-supernatural elements make sense. Scattered throughout his own investigation are brief sequences suggesting a broader conspiracy, but inconsistent artwork and interchangeable characters (often dressed in ball caps and sunglasses) makes it difficult to trace these details. When the first issue's cliffhanger arrives it's with a thud that only evokes more questions, providing readers a clear exit sign. -- Chase Magnett

Rating: 1.5 out of 5

MIGHTY MORPHIN POWER RANGERS #114

"Darkest Hour" continues to live up to its namesake, though as always the Rangers are at their best when their backs are against the wall. Writer Melissa Flores does offer a few sparse moments of hope throughout Mighty Morphin Power Rangers #114 in the form of delightful additions like HyperForce and Drakkon's new Rangers, but the majority of the issue is still pushing the Rangers further and further into a corner. While the Rangers have been pushed to their limits before, few onslaughts have been as thorough as this. From the Death Ranger continuing to corrupt Rangers to Dark Specter's reign of dominance over SafeHaven, the walls are continuing to close in, and Simona Di Gianfelice, Raul Angelo, and Jose Enrique Fernandez sell the direness of those moments at every turn, including a phenomenal final page. I'm not sure how the Rangers will come out on top, but it's going to fun to see them make it happen. -- Matthew Aguilar

Rating: 4 out of 5

MORTAL TERROR #1

Writers Christopher Golden and Tim Lebbon have a real gem on their hands with Mortal Terror, a new must-read for classic horror fans. In the same way that I Am Legend was a major turning point for vampire stories, Mortal Terror has found a corner that it can thrive in and stand out as a great story with a fresh take on the subgenre. Series artist Peter Bergting, aided by colorist Chris O'Halloran, delivers a world that is fully formed from the first panel, piecemealing the reader with all the clues they need about how life in this story functions. Bergting also manages to evoke a great deal of mood throughout, harking back to the work of his former collaborator Mike Mignola. -- Spencer Perry

Rating: 5 out of 5

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Other Publishers #4

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(Photo: DSTLRY)

PATHFINDER: WAKE THE DEAD #4

Pathfinder: Wake the Dead heads to Geb, a country where the dead vastly outnumber the living. Like previous issues, this comic serves more as a highlight of some of Pathfinder's weirder corners rather than delving too deeply into much of a plot. Of course, this makes sense because the comic exists to advertise the Pathfinder setting, but I do feel like this comic may have benefitted a bit more from a smaller cast instead of a standard adventuring party. There's just not enough pages to really delve into the characters' motivations while constantly on the move. -- Christian Hoffer

Rating: 3 out of 5

SOMNA #1

[READ THE FULL REVIEW HERE]

Becky Cloonan and Tula Lotay are two names that carry a lot of weight with comics critics - outstanding artists producing ambitious projects and attached to some of the most invigorating events and publishers in the industry. So it's no surprise that when they collaborate to create the new series Somna, it's a success, but reputation alone can't speak to exactly how successful the new series from upstart DSTLRY is in reading. The miniseries' debut this week showcases two resplendent styles intricately woven together to immerse readers in a setting and headspace they won't want to leave, even as it grows ever more disquieting. -- Chase Magnett

Rating: 5 out of 5

STAR TREK #14

Star Trek #14 is another stellar installment of the IDW Publishing ongoing series, but I am left wondering if Jackson Lanzing and Collin Kelly dropped in that one early line about leaving Tom Paris and B'Elanna Torres' kid with Harry Kim before they realized they'd want to use Harry because, as nerve-wracking as leaving a child with grandparents might be, it still seems preferable to having that child tagalong to a warzone by a large margin. Putting that aside this is a Star Trek story told with swaggers, from Harry "Kingsnake" Kim knowing his worth, to Data getting increasingly comfortable in the captain's chair, to Dr. Crusher doing science first and asking permission second. Marcus To brings a lot of energy to the book with his linework and clear storytelling and seems to be having a hell of a time drawing these dinosaur alien people. There are interesting wrinkles sprinkled within, as Sisko's reputation for unsavory political maneuvering for the greater good precedes him as he tries to persuade the Tzenkenthi that he's on the level. Any Star Trek fan is going to enjoy this issue (and series), but it'll be especially fun for fans of the characters named above. -- Jamie Lovett

Rating: 4 out of 5

STAR WARS: HYPERSPACE STORIES #11

Not that Star Wars: Hyperspace Stories has a track record of pushing the boundaries of storytelling with the galaxy far, far away, but this standalone tale feels especially underwhelming and like nothing more than an opportunity to mash a bunch of well-known figures into a set number of pages. Mace Windu and Yoda find themselves on a mission to protect ancient relics, only for them and their Youngling companions to fall under an ambush by Count Dooku. That's just about all that can be said about what this issue amounts to, as it feels entirely weightless and like an exercise in futility, as its unexceptional from start to finish. Even for the standards of this series, which skews more towards younger readers, this story offers little for readers to really connect with, as it jumps from arbitrary quips about what it means to be a Jedi and the need to protect Younglings and then to action scenes that have no dramatic weight. We can't say the story is actively, offensively bad, but this issue offers next to nothing as far as an entertaining, superficial outing or a more meaningful, moral lesson that can be imparted on young readers. -- Patrick Cavanaugh

Rating: 2 out of 5

UNIVERSAL MONSTERS: DRACULA #2

Martin Simmonds' depiction of Universal's Dracula is nothing short of stunning in an issue that unleashes the iconic Count upon new victims in splashes that will leave readers with their jaws hanging. Dialogue between Van Helsing and other familiar heroes of Stoker's novel offers enough context to drive the story forward, but the second issue also seems to acknowledge that the story is sufficiently familiar to take a back seat to Simmonds' artistic interpretation. Long, silent stretches allow vampiric transformations and attacks to depict a sweeping scale; there's a dark magic present in portrayals of wolves, bats, and shadows with red eyes weaving all of them together. The textures found within collage-like layouts, specifically the title spread, make the artwork on the page almost as transfixing as Dracula's voice is to Lucy Westerna. It's easy to find one's self lost in the great swaths of darkness and sharp linework as something impossibly evil sweeps through London. Although this story may be familiar, the vision of Dracula found in Universal Monsters: Dracula is stunning in its novelty. -- Chase Magnett

Rating: 4.5 out of 5

VOID RIVALS #6

Void Rivals #6 continues to build out the wider Energon Universe, with Robert Kirkman and Lorenzo De Felici bringing their initial arc to a close with Darak and Solila (at least temporarily) on the same page and working together. I like that Kirkman has yet to lean on the Transformers angle of this world, opting for growing the universe organically in a way that will make the inevitable shared universe aspect a bigger deal as a result. This is a good sci-fi comic, one that just happens to share a space with some well-known robots in disguise. -- Christian Hoffer

Rating: 4 out of 5

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Batman: Off-World #1 Review: Formulaic Story In Outstanding Style https://comicbook.com/comics/news/batman-off-world-1-review-dc-jason-aaron/ Wed, 22 Nov 2023 15:30:00 +0000 Nicole Drum 1fc51bd2-80c0-45d9-9ece-7e94badb2e3c

To say that Batman stories could use something fresh and at least a little out there is an understatement given that many recent stories in the core Batman line of comics have been less than engaging. There is only so much one can do with the Dark Knight and Gotham. And it is with that in mind that Batman: Off World #1 arrives. Written by Jason Aaron with art by Doug Mahnke and Jaime Mendoza and colors by David Baron, the comic book feels both like a very Batman spin on Superman's recent Warworld adventure and a wild take on a Justice League style adventure--those frequently see more out-of-this-world type tales for Batman--but with a fresh twist that makes the story all the more engaging and just a bit more human.

The story, in a sense, centers around that twist: Batman: Off World #1 takes place very early in the vigilante's career, just a year into his efforts and as a result sees Batman out of his depth when confronted by an alien enforcer for the mob boss he's currently chasing. It's Batman's inexperience and, in a sense, optimism, that leads him to head off world on an experimental craft to fight aliens, something that has unexpected consequences when he's kidnapped by slavers in another galaxy.

What works about this comic book is just how weird it is. While Batman fans know the character has a long history filled with some truly bonkers adventures, there's something about it being Batman in the hands of slavers that feels so wildly out of place as to be fascinating. It also opens up the door for the story to be as unserious as possible, providing space for Aaron to explore the more ludicrous aspects of not only the character, but the larger landscape of DC's rather fantastic overall universe in a way that Earth-bound and "gritty" Gotham stories simply don't make room for. There's also the vulnerability of Batman given his inexperience that makes the story easier to invest in. This is not the World's Greatest Detective who never fails. This is a character still growing into that role.

Unfortunately, it's the growing-into-the-role aspect of things that doesn't quite land in this issue. Granted, with this being a first issue, there's room to grow and space has clearly been provided for that, but there's a lot of flash to this issue that leaves things light on characterization. For fans who have been following Aaron's work at Marvel--specifically his Avengers run--the issue will feel familiar in how formulaic it is. If you like that approach, it works, but it does seem to lack something keeping this comic from rising to greatness and settling for good. Artwise, however, this is a fantastic comic book at every turn. There's beautiful action, bold colors, and deft details that make the issue a visual feast.

This is a very promising start to a story. While there are elements that feel at times too familiar--the similarities to Superman's Warworld story, the formulaic nature of Aaron's storytelling--and the lack of depth at times feels a bit like style over substance, the comic book is a fun read and certainly unlike anything occurring in contemporaneous Batman comics. It's entertaining and has obvious room to grow and, if nothing else, the art is out of this world - pun intended.

Published by DC Comics

On November 21, 2023

Written by Jason Aaron

Art by Doug Mahnke and Jaime Mendoza

Colors by David Baron

Letters by Troy Peteri

Cover by Doug Mahnke and David Baron

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Carnage #1 Review: A Divine Work In Progress https://comicbook.com/comics/news/carnage-1-review-marvel-torunn-gronbekk-pere-perez/ Wed, 22 Nov 2023 15:15:00 +0000 Jamie Lovett 683df3be-2227-41dd-b524-75b15255fa05

Remember when Carnage was a simple character? Sure, there's always been the alien symbiote of it all. That always amounted to little more than a superpowered serial killer, a being on the far end of the altruistic-hero-to-murderous-villain spectrum anchored by Spider-Man at the other pole and with Venom somewhere in the middle. The last few years have seen the character ascend to new heights of power and convolution. We won't try to untangle the web of continuity that differentiates Cletus Kasady from Carnage from whatever an "Extrembiote" is. However, since Marvel has already explored what happens when Carnage and Cletus stop getting along in the "Carnage Reigns" event, this new Carnage series takes the opposite path, exploring what happens when Carnage and Cletus work together in their quest for godhood, adding some compelling wrinkles to an often one-note antagonist.

What readers need to know (and the issue does a decent job of explaining) is that the Carnage symbiote has been acting independently to try to fully achieve godhood, purging traditional symbiote weaknesses from its system. With that done, the symbiote is forced to ask, "Now, what?" To answer that, he needs Cletus and retrieves his host by surprising and disgusting means. Carnage and Cletus, together, try to find the next step on the path to godhood.

The answer comes from another question: "Who would worship a god like Carnage?" Through this methodically paced first issue, Torunn Gr?nbekk begins to unpack the question. The first clue comes when Carnage meets a server who enjoys true crime podcasts, fixated on the "mystery" of violence.

It's a strong opening hook, but digs too deep, too fast. The scene predicates itself on Carnage exploring his divinity, but also presents him as self-assured and confident in his actions and their meanings even as each one further muddies things for the reader. Carnage does what Carnage does. He goes on a murder spree. The issue lingers on some victims, explaining their fixations on death and violence. Others get silently offed in a montage. The final murder, in which Carnage elevates his work to something like performance art, further muddies the thematic waters as it seems to bear little resemblance to earlier victims. The issue, at one point, suggests that Carnage may become an avatar for all the awfulness of the 21st century but doesn't define what that means beyond vague abstraction.

Carnage isn't the only symbiote/host pairing featured in the issue, as it parallels his search for purpose with that of Flash Thompson, host to Anti-Venom. Flash has no delusions of divinity to wrestle with. His feelings are more human and familiar. The former high school football star, military man, and superhero is now working in a dull security position he's overqualified for and realizing that his friends don't seem to miss him when he's gone. This loneliness and lack of purpose puts him on edge, and he and Carnage seem destined for a meeting when Carnage touches back down on Earth.

Artist Pere P?rez and colorist Erck Arciniega do solid work, especially in pulling off the issue's stranger moments, like the "birth" of the new Cletus Kasady. However, the artwork doesn't match the story's dark tone, running too close to the standard Marvel superhero style. It isn't too far afield, but longer, darker shadows and stronger emotion, especially on the sinister side, would go a long way toward removing that dissonance.

But the visual restraint seems symptomatic of an unwillingness to commit to the bit that plagues Carnage #1. The issue raises some interesting questions but seems unsure about how to answer them. Casting Carnage in his godhood as a reflection of those fascinated by what he represents is a high concept worth exploring. Gr?nbekk, P?rez, and Arciniega seem to be recasting Carnage as a 21st-century Corinthian, which is a bold move. However, this issue gets too caught up in the sensational aspects of Carnage's bloodlust, losing sight of that overarching theme. Carnage #1 is on the cusp of something worthwhile but hasn't fully invested.

Published by Marvel Comics

On November 22, 2023

Written by Torunn Gr?nbekk

Art by Pere Perez

Colors by Erick Arciniega

Letters by Joe Sabino

Cover by Paulo Siqueira

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Somna #1 Review: A Potent Dream of Shadows, Fear, and Lust https://comicbook.com/comics/news/somna-1-review-dstlry-becky-cloonan-tula-lotay/ Wed, 22 Nov 2023 15:00:00 +0000 Chase Magnett efeae582-6cf6-4f98-b558-98769eee341d Becky Cloonan and Tula Lotay are two names that carry a lot of weight with comics critics - outstanding artists producing ambitious projects and attached to some of the most invigorating events and publishers in the industry. So it's no surprise that when they collaborate to create the new series Somna, it's a success, but reputation alone can't speak to exactly how successful the new series from upstart DSTLRY is in reading. The miniseries' debut this week showcases two resplendent styles intricately woven together to immerse readers in a setting and headspace they won't want to leave, even as it grows ever more disquieting.

Somna #1 introduces readers to life in a small unnamed village set amidst England in the early 17th century as witch hunts terrorize the countryside. Ingrid is married to the local bailiff and witchfinder Roland, who ignores her in favor of his official duties, even as she is plagued by increasingly frightening dreams. The entire affair--weaving together historical fiction, eroticism, and the supernatural--is presented in a pristinely prepared package in which every page, title, and effect is considered, much like Cloonan's exquisite By Chance or By Providence.

Cloonan and Lotay divide artistic duties between Ingrid's waking and unconscious hours. The issue opens on a dream sequence in which Ingrid captures fragments of imagery before settling her gaze upon a dark figure with lustful intents. Lotay's style matches this dreamscape splendidly and offers readers insights into the manner in which Ingrid dreams. Soft figures and blurring lines portray a sense of unreality without ever losing clarity; fragments from a possible drowning on the first page are all the more effective because the details are distinguishable. But overlapping and non-typical layouts combine with a regularly changing point of view to differentiate this space from the harsh realities of life in the late Elizabethan era.

This contrasts splendidly against Cloonan's portrayal of the waking world. Sharp lines, rich inking, and solid grids ground every moment spent in Ingrid's village with the dull realities of peasant life lacking the blurred effects of tantalizing dark dreams. Whereas Lotay's work portrays Ingrid's inner desires and emotional complexity, Cloonan's figures provide emotions on their faces and frames with unerring accuracy. Ingrid's yearning for her husband and his cold rejection provides a rich subtext suggesting deeper motives within both of them.

Even as the narrative relies more upon these waking sequences to dispatch with dialogue and exposition, Cloonan utilizes dense grids filled with details to compress information and make each new panel a rewarding reading experience. It's this density that makes Somna #1 read as a much more satisfying installment than most serialized comics. By the issue's end there are a clearly defined set of characters with complex motivations and relationships in a fully realized setting. Adding the supernatural intrigues offered at night atop all of this produces a first issue that's as satisfying as the best pilots on television.

There will doubtless be a space (and need) to discuss the marital intrigues, erotic temptations, and gendered power dynamics of Somna; the first issue alone is rich with thematic subtext drawing readers into a setting far beyond but undeniably connected to their own. But the wonder of Somna #1 lies in how that place, its people, and the story they have to tell are introduced. Meeting Sigurd's friends and her husband's victims in the village while lapsing into her dark dreams at night offers both aesthetic and literary pleasures that are best found on the page. What's undeniable is the talent and ambition on display in this first issue making Somna a series all keen-eyed comics readers will want to seek out.

Published by DSTLRY

On November 22, 2023

Written by Becky Cloonan and Tula Lotay

Art by Becky Cloonan and Tula Lotay

Colors by Lee Loughridge, Dee Cunniffe, and Tula Lotay

Letters by Lucas Gattoni

Cover by Becky Cloonan

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Greg Capullo Reveals He's Officially Returned to Marvel With Fantastic Four Tease https://comicbook.com/comics/news/greg-capullo-marvel-return-fantastic-four-teaser/ Wed, 22 Nov 2023 14:30:00 +0000 Jamie Lovett fac9ef84-f58b-46ab-a250-ecf5fb279e87

Superstar comic book artist Greg Capullo is officially back at Marvel Comics. Capullo confirmed the news via his Instagram account, where he revealed a look at the page he's currently working on, which features The Thing from the Fantastic Four. Capullo's words teased that he may be working on a Fantastic Four project. "I'm OFFICIALLY back at Marvel. I just signed my contract today. Let's go!!!" Capullo posted. Marvel previously teased Capullo's return to the company by revealing his covers featuring Deadpool and Wolverine. Marvel even surprised retailers with a free Capullo-drawn Wolverine #37 variant cover earlier this year.

Marvel revealed the artwork for that Wolverine variant at San Diego Comic-Con, alongside artwork for Capullo's Deadpool: Seven Slaughters cover. It seems now that Capullo's work at Marvel will go beyond covers and could involve Marvel's "First Family."

Greg Capullo's Marvel Comics History

This isn't Capullo's first time working for Marvel Comics. His career began at Marvel in the 1990s after getting the publisher's attention with his small-press horror comic Gore Shriek.

During his first run at the company, Capullo worked on titles like Quasar and What If...?. The latter provided him an earlier opportunity to draw the Fantastic Four in the What If...? Issue that asked, "What if the Fantastic Four had lost the trial of Galactus?" He also worked on X-Force, including chapters of the popular X-Men crossovers "X-Cutioner's Song" and "Fatal Attractions.

Greg Capullo After Marvel

After his Marvel work, Capullo went to Image Comics. There, he collaborated with Todd McFarlane and became one of the best-loved artists to work on Spawn (after McFarlane himself, of course). Capullo then launched the creator-owned series, The Creech.

In 2011, Capullo jumped to DC, teaming with Scott Snyder on The New 52 Batman relaunch. Capullo remained at DC for a decade, where his work on Batman and the Dark Nights event series cemented his status as one of the defining artists of the 2010s.

Marvel's pursuit of Greg Capullo

According to Capullo, Marvel has been eager to get Capullo back to work at the "House of Ideas" for some time. He explained as much on the Mark Millar Time podcast.

"Marvel's been approaching me forever, I run into CB (Cebulski, Marvel's Editor-in-chief) a lot. I said just to get started you know, we'll do a project but I'll do some covers," Capullo said. "I have discussed a particular project because I'm 60 now, I don't want to do runs anymore. I told everybody. DC, Marvel, whoever, three to six issue run and that's it. I can't keep getting locked in because I want to do a few things before I hang up my pencil. My intention is to do some covers while I'm working on Creech, do a project with Marvel, and then what happens after that, I'm not sure. I talked with Scott about an original idea I have, we'll probably do something like that at some point."

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Swamp Thing Just Joined a Surprising DC Super Team https://comicbook.com/comics/news/swamp-thing-new-titans-member-revealed/ Wed, 22 Nov 2023 05:57:00 +0000 Adam Barnhardt 92516ff2-723d-44cf-89c1-295b55608de2

Throughout the first four issues of Titans, Tom Taylor and Nicola Scott have thrust the team into a variety of situations. Now DC's most prominent team as the Justice League no longer exists, the group has dealt with both a blood-thirsty cult and a corporation that's been razing wildlife across Borneo. The latter plot has now led directly into the Titans' newest member, and it's a surprising addition at that. Light spoilers up ahead for Titans #5. Proceed with caution if you've yet to catch up.

Beast Boy has taken it upon himself to fix the charred Borneo jungles. To do that, he convinces the rest of the team that they need to reach out to Swamp Thing to help restore The Green on the island. They soon teleport of the apartment of Levi Kamei, the publisher's latest iteration of Swamp Thing, and convince him to help out.

Once the green begins growing again--much to the thrill of the Titans--they officially extend him a membership offer, which he quickly accepts. Kamei agrees to join the group on the condition it's a part-time membership, meaning readers probably shouldn't expect to see him around in every issue, but it's likely the character will be back before too long at all.

It's also excellent timing on DC Comics' part as DC Studios is actively developing a new Swamp Thing movie from filmmaker James Mangold.

"Basically, the second I heard DC was going through some leadership convulsion and James was taking over, I just saw it as an opportunity to throw my hat down in the most -- I mean I just called them and I said, 'In all the stuff you're doing, if the idea of me making a gothic horror film, origin story of Swamp Thing fits in, tell me,'" Mangold previously said of the film on the Happy Sad Confused podcast.

He added, It's no different speech than anyone else gets with me; I don't have any agenda for a universe, I'm not building towards someone joining in some future. Have at it, but I'd just be interested in telling, I've always been interested in doing a version of Frankenstein, basically, and, yet, I feel, 'It's alive!' has been done enough, but Swamp Thing always occurred to me as this wonderful version of a Frankenstein story, much in the way one of my favorite pop films of growing up, RoboCop, the original one. This guy who just wakes up and he's been turned into, he finds he's become this machine, was also something I was fascinated with with Logan, obviously."

Titans #5 is now available wherever comics are sold.

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Gotham Academy to Return in New DC Story https://comicbook.com/comics/news/gotham-academy-return-new-dc-story-brave-and-the-bold-10/ Wed, 22 Nov 2023 04:01:00 +0000 Jenna Anderson 7cec5934-ef87-4552-bd27-7b3cf8148bcd

It looks like DC will be returning to the halls of Gotham Academy very soon. Earlier this month, DC unveiled the solicitations for their February 2024 books, including the forthcoming Batman: The Brave and the Bold #10. The description of the issue reveals that the main story, a three-parter written and drawn by Karl Kershl, will feature the return of Gotham Academy students Maps Mizoguchi and Tristan Grey. This will be the second recent DC story that Maps factors into, as an older version of her from the future, nicknamed Meridian, is currently teaming up with the Birds of Prey.

BATMAN: THE BRAVE AND THE BOLD #10

  • Written by KARL KERSCHL, TORUNN GRONBEKK, DELILAH S. DAWSON, DAN WATTERS
  • Art by KARL KERSCHL, FERNANDO PASARIN, and RICARDO LOPEZ ORTIZ
  • Cover by SIMONE DI MEO
  • Variant cover by FRANCESCO MATTINA
  • Variant cover by CHRISTIAN WARD
  • 1:25 variant cover by KELLEY JONES
  • $7.99 US | 64 pages | Prestige | (all covers are card stock)
  • ON SALE 2/27/24
  • Gotham Academy is back in session in the first part of Karl Kerschl's thrilling three-part Batman adventure, guest-starring Maps Mizoguchi and Tristan Grey! Kirk Langstrom, formerly Man-Bat, now clean of his serum for years, is teaching at Gotham Academy. But Man-Bat is menacing the city. Has Dr. Langstrom fallen off the wagon, or is there a deeper, far more sinister, plan afoot? Plus, get ready for a conspiracy only Lois Lane could solve, a tale of rip-roaring adventure starring Artemis, and a Batman Black & White tale from Dan Watters and Ricardo L?pez Ortiz!
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(Photo: DC)
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(Photo: DC)
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(Photo: DC)
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(Photo: DC)

What Is Gotham Academy About?

Originally published in 2014 as part of DC's New 52 continuity, Gotham Academy chronicled the goings-on of an eclectic group of students at the titular prestigious Gotham prep school. Characters on the series included Olive Silverlock, Mia "Maps" Mizoguchi, Pomeline Fritch, and Heathcliff Ray. The series ultimately ran for over thirty issues, and even crossed over with Boom! Studios' beloved series Lumberjanes. While elements of the series have bled over into larger DC canon -- particularly in Maps briefly being established as one of Batman's Robins -- Gotham Academy has not had any new published installments since August of 2017.

"When we started out with Gotham Academy, we knew a lot of influential touchstones we wanted to hit," Cloonan explained in a 2017 interview with ComicsBeat. "Batman mysteries, Harry Potter, Nancy Drew; it gave us a flavor of the world we wanted to create and then it became a matter of what tale we wanted to tell. Olive Silverlock became that story and other characters, Maps and Kyle, fell into place around her. Maps, in particular was created as a foil for Olive, she represents her true north."

"I think these characters just fit well in the Batman universe as we created them," Kershl added. "Not so much on the surface but Olive and Maps are almost a good analog for Batman and Robin or like Holmes and Watson. But after you see how things pan out after issue #8 those analogs might not be accurate anymore."

What do you think of DC's newest Gotham Academy story? Share your thoughts with us in the comments below!

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Dark Horse Reveals First-Look Preview of Thalamus: The Art of Dave McKean (Exclusive) https://comicbook.com/comics/news/dark-horse-reveals-first-look-preview-of-thalamus-the-art-of-dave-mckean-exclusive/ Wed, 22 Nov 2023 00:02:00 +0000 Matthew Aguilar 1544df66-4022-4cb4-aa74-4216371ff644
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The Weekly Pull: Sensational She-Hulk, Batman: Off-World, The Holy Roller, and more https://comicbook.com/comics/news/new-comics-this-week-marvel-dc-image-november-22-2023/ Tue, 21 Nov 2023 20:33:00 +0000 Jamie Lovett 8ac162ae-bac4-4fcf-a99d-c038f5370516
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DC Reveals the Shocking Truth About Superboy's Powers https://comicbook.com/dc/news/dc-superman-superboy-powers-explained-tactile-telekinesis-samuel-stryker-chained/ Tue, 21 Nov 2023 19:51:00 +0000 Kofi Outlaw ed9cc843-0e8a-4f7b-ba4b-3fd1fb32ea01 DC has revealed the shocking truth about one Superman character's powers - thereby retconning a curious piece of the Superman lore that goes back to the 1990s.

Superboy's Powers Explained - Tactile Telekinesis

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(Photo: DC Comics)

Back in the 1990s "Death of Superman" story arc, four new versions of "Superman" appeared on the scene. Of those four, the one who was the biggest embodiment of the era was no doubt Superboy - aka Connor Kent (now known as "Kon-El"). With his leather jacket and John Lennon-style Ray-Ban sunglasses, Superboy was clearly not cut from the exact same cloth as Superman - a fact driven home when the young hero discovered that he didn't actually have "superpowers" like Superman.

Connor would eventually learn that Project Cadmus couldn't actually clone Superman, so they made him a mix of Superman and Lex Luthor and fitted him with a power that could simulate all of Superman's abilities: Tactile Telekinesis. With his TT field, Connor lifts weights and hits as hard as Superman; and moves himself through flight or at enhanced speeds - while doing things Clark Kent/Kal-El never could, like protecting himself with a force field or firing force blasts that are stronger than heat vision.

(SPOILERS) In Superman #8 "The Chained Part Three" we finally learn the true origin of Superman's new superpowered nemesis, The Chained. As it turns out, "The Chained" is actually Samuel Stryker, the son of Sebastian Stryker, the man who built Metropolis's infamous Stryker Island Penitentiary. As a young boy, Stryker let Sammy was revealed to possess the metahuman power of Tactile Telekinesis. Not only was Sammy quick to master extending his TK aura field beyond the need to touch things physically - he also began to stumble into theories of using the power to "expand the field out further and further and manipulate reality" itself.

It was that evolution of his powers that eventually caused Sammy to become too dangerous; he eventually murdered his father, causing Lex Luthor to lock him away, for the good of all.

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(Photo: DC Comics)

However, even though Samuel Stryker disappeared from the world, his powers certainly didn't: Luthor took a small fraction of the Tactile Telekinesis power, which was then mixed in with Connor's clone matrix. However, as The Chained makes very clear, Connor's Tactile Telekinesis is nowhere near the level fo what Sammy Stryker could do with his power - which is the only reason we need to be terrified about what could do to Metropolis and the Superman Family, before this fight is over.

Superman #8 is now on sale at DC Comics.

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Marvel's New Thor Corps Make Their Epic Debut https://comicbook.com/comics/news/marvel-new-thor-corps-storm-beta-ray-bill-loki-jane-foster-immortal-thor/ Tue, 21 Nov 2023 16:56:00 +0000 Timothy Adams 051964f6-3edb-49d2-beb1-525b64f64a8c

Thor is famously known for being a member of the Avengers, but there's another superteam he also leads: the Thor Corps. This group of heroes are known for each wielding their own magical hammer, and have helped the God of Thunder on a number of occasions. One of their most recent appearances came in the Secret Wars tie-in Thors. However, the time has come for Thor to call upon his comrades again to help him face a new godly threat that has the potential to destroy not only himself, but Midgard and the rest of the Ten Realms as well.

*WARNING: The following article contains spoilers for Immortal Thor #4. Continue reading at your own risk!

Immortal Thor #4 comes from the creative team of Al Ewing, Mart?n C?ccolo, Matthew Wilson, and VC's Joe Sabino. The opening run of Immortal Thor has seen our hero have to face off against Toranos, the Elder God of Thunder. Aside from being an elder god, Toranos also towers over Thor, and is an intimidating presence. This is probably why Thor is calling in backup from some familiar friends. First on his list for the Thor Corps is Storm of the X-Men. She's currently helping to rule over Arakko, but Thor summons her to the gray area of the moon to recruit Storm against her will.

Once Storm grabs Mjolnir, she is transformed into wearing the Asgardian Thors Corps armor. Which is right on time, cause Toranos has finally arrived. Loki quickly appears with Beta Ray Bill, and once they both place their hands on Mjolnir, the All-Father magic turns them into Thor Corps members as well. The final hero to join the team is Jane Foster/Valkyrie. Together, the Thor Corps stands united against Toranos.

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(Photo: Marvel Comics)

Immortal Thor writer on new Marvel series

"Putting [Immortal] on a book I'm writing is a promise to the reader, and to myself," Al Ewing told Polygon when Immortal Thor was announced. "I was the one who pitched the title - not editorial, not anyone else - and it was basically a self-challenge. Can I do a book like that again? Can I do my end of it better this time? I have to try, because the alternative is just lie down and let the grass grow where I fell...I want to take another swing at that ball, and this time, I don't just want to knock it into the outfield, I want to hit it right out of the park and stroll calmly around the bases. I want to write something that goes as far and as hard and as powerful as the other book did, to give a similar experience to the people who supported that book and supported me through it and took something deep out of it, but with the benefit of experience."

What do you think about the new Thor Corps? Let us know your thoughts in the comments!

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Wolverine and Black Panther Team Up in Marvel's Wolverine Preview https://comicbook.com/comics/news/marvels-wolverine-39-black-panther-tchalla-wakanda-last-mutant-standing/ Tue, 21 Nov 2023 16:15:00 +0000 Cameron Bonomolo f3ebceac-7e0c-4e46-bc80-8fc1b4347a63
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Timeless Preview Offers First Look at Marvel Universe's Future https://comicbook.com/comics/news/timeless-preview-marvel-universe-future-power-man-vs-moon-knight/ Tue, 21 Nov 2023 14:03:00 +0000 Timothy Adams 254c7539-20a3-45f3-99de-1b2dc279c2c3
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Marvel's Future Moon Knight and Power Man Collide on Timeless #1 Cover https://comicbook.com/comics/news/marvel-future-moon-knight-power-man-inhyuk-lee-timeless-1-cover/ Tue, 21 Nov 2023 13:52:00 +0000 Timothy Adams 78c5b26c-505f-4f5e-b745-342b64f7db9c

A cover for Marvel's 2023 edition of the end-of-the-year Timeless one-shot features a showdown between future versions of Moon Knight and Power Man. Timeless is the special year-ending one-shot that sets the stage for upcoming stories in the Marvel Universe. Kang the Conqueror was heavily featured in previous iterations, but the 2023 comic will put the focus on the last living Marvel superhero, Power Man. This mysterious hero will be tasked with stopping an ancient evil that's ascended to power, the Immortal Moon Knight. A look at Inhyuk Lee's cover of Timeless #1 shows Power Man and Moon Knight coming to blows.

Another interesting aspect of Timeless is it will preview shocking glimpses into the next year of Marvel storytelling, including the moments that kick off the inevitable chain of events that led to the end of the age of heroes. The future versions of Moon Knight and Power Man are a mix of different Marvel entities: the Immortal Moon Knight is a nightmare borne of StarkTech, the Eternal Machine, and the God of the Moon, while Power Man wields the unstable powers of the Sentry, Hulk, and Iron Fist.

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(Photo: Marvel Comics)

Marvel's 2022 Timeless leads to Avengers relaunch

Following the events of 2022's Timeless #1 by writer Jed MacKay and artists Salvador Larroca, Patch Zircher, and Greg Land, Marvel relaunched The Avengers with MacKay under the helm. It follows Kang the Conqueror chasing a missing moment in time and being confronted by new characters like Myrrdin and his Twilight Court. He warns the Avengers about upcoming threats called Tribulation Events.

Captain Marvel is leading this iteration of Earth's Mightiest Heroes, with the rest of the roster comprised of Iron Man, Captain America (Sam Wilson), Thor, Scarlet Witch, Black Panther, and Vision. The Avengers also added a new teammate when they defeated the Ashen Combine, the first of the Tribulation Events. Their floating fortress, the Impossible City, decided to join up with the Avengers after they freed it from the Ashen Combine.

The description of Timeless #1 by writers Jackson Lanzing and Collin Kelly, and artist Juann Cabal reads, "All of time and space is threatened by the rise of an ancient evil. The Immortal Moon Knight - a nightmare borne of StarkTech, the Eternal Machine, and the God of the Moon - and now all of Earth bows before his overwhelming power! But one man stands against Khonshu's coming tide of chaos: Power Man, the Marvel Universe's final living super hero. But who is Power Man - and how did he come to wield the unstable powers of the Sentry, the Hulk, and the Iron Fist? What dark, deeply personal conflict underpins this mind-bending apocalypse? And at the end of the line, can the Marvel Universe ever truly be saved?"

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DC to Publish New Lobo Omnibus Amid Jason Momoa Rumors https://comicbook.com/comics/news/dc-new-lobo-series-ominbus-announced/ Tue, 21 Nov 2023 01:00:00 +0000 Adam Barnhardt 5d03074a-eacd-4e6a-8a8c-324e9219a7d8

Jason Momoa has made it clear Aquaman: The Lost Kingdom will be his final time playing the Justice Leaguer, with his eyes reportedly set on another character in the new DC Universe. Interestingly enough, DC Comics is also gearing up to release a massive Lobo comics collection amid the rumors, potentially hinting at the synergy between the film studio and comics publisher under the DC umbrella.

Lobo: Big Fraggin' Compendium One will collect much of the character's earliest stories, with over 40 issues included in the printing. The full solicitation can be seen below.

LOBO: BIG FRAGGIN' COMPENDIUM ONE

Written by KEITH GIFFEN, ALAN GRANT, and others

Art by SIMON BISLEY, KEITH GIFFEN, VAL SEMEIKS, and others

Cover by SIMON BISLEY

$59.99 US | 1,256 pages | 6 5/8? x 10 3/16? | Softcover | ISBN: 978-1-77952-578-9

ON SALE 4/2/24

Everyone's favorite bastich gets his own series of fraggin' compendiums that are just as big and bombastic as the Main Man himself! Collects Lobo (miniseries) #1-4, Lobo #0-9, Lobo Annual #1-2, Lobo Paramilitary Christmas Special #1, Lobo's Back #1-4, Lobo: Blazing Chain of Love #1, Lobo: Infanticide #1-4, Lobo: Portrait of a Victim #1, Lobo: Unamerican Gladiators #1-4, Lobo Convention Special #1, Lobo: A Contract on Gawd #1-4, Lobo: In the Chair #1, Green Lantern Corps Quarterly #8, Superman: The Man of Steel #30, The Demon #11-15, The Omega Men #3, profile pages from Who's Who #8, and the Lobocop #1 parody!

"Well, everyone knows I'm a comic book fan. The comic I collected the most, and I have every comic there is... you can do your research and find out what it is," Momoa hinted with us when asked if his "dream DC project" would be a Lobo film or series.

"I think with Peter Safran and Mr. Gunn at the helm now at DC, I'm very excited about that," Momoa said in a prior chat with ET Canada. "There are a lot of cool things that are going to be coming up and one of my dreams come true will be happening under their watch, so stay tuned."

The DC Universe officially kicks off with Creature Commandos, which has yet to set a release date, and Superman: Legacy, which enters theaters July 11, 2025.

What part of Chapter 1: Gods and Monsters excites you most? Let us know your thoughts either in the comments section or by hitting our writer @AdamBarnhardt up on Twitter!

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Star Wars Teases Luke Being Hunted by Padme's Handmaiden https://comicbook.com/starwars/news/star-wars-vader-luke-skywalker-vs-padme-sabe-fcbd-preview/ Mon, 20 Nov 2023 22:56:00 +0000 Kofi Outlaw 76a8c785-333c-464d-ba59-a63a9cb5760c

Star Wars is teasing another pivotal event in the franchise canon: a showdown between Luke Skywalker and one of the dangerous extreme women who wear the face of mother, Padm? Amidala!

A preview for Free Comic Book Day 2024: Star Wars/Darth Vader #1 hints that Lucasfilm and Marvel Comics are keen on pulling new readers into the Star Wars Universe of the comic page. There have been stories building in both the main Star Wars comic series as well as the Darth Vader comic series over the last year, and few fans expected them to culminate like this in a FCBD release - but here we are!

The storyline for Darth Vader has explored what happened between Vader and Emperor Palpatine following the events of The Empire Strikes Back, and Vader's attempt to recruit Luke to his side, to overthrow the Emperor. Palpatine took that betrayal in stride, stripping Vader of all his cybernetic enhancements and forcing him to prove his worth as a Sith Lord all on his own.

A minor war between the Emperor and the Crimson Dawn syndicate (led by Lady Qi'ra) resulted in the entire Force being disrupted, with both Vader and Luke left with faulty connections to dark and light sides, respectively. Luke has had plenty to deal with while trying to re-establish his own connection - and a tour of the galaxy is about to make him collide with Sab?, the most militant and dogmatic member of th Padm?'s handmaidens.

Sab? has been a supporting character in Vader's comic series for the last year; her arc has see her discover the connection between Vader and Anakin Skywalker, and use it to try and exert some measure of control over the Sith Lord, by tapping into lingering feelings of love he felt. Of course, Vader has resisted the attempts to pull him out of the darkness and suffering of a Sith Lord - but in addition to learning he is really Anakin, Sab? was also shown a vision that let her know his son Luke is out in the galaxy...

FREE COMIC BOOK DAY 2024: STAR WARS/DARTH VADER # 1 PREVIEW

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(Photo: Marvel Comics)

Writer: Charles Soule & Greg Pak
Art: Ibriam Roberson & Ramon Rosanas
Cover: Phil Noto

Are there Rebel survivors stranded on Hoth? Luke Skywalker, Leia Organa, Lando Calrissian, and Chewbacca mount a dangerous rescue mission to Echo Base! Lightsabers! Blasters! Snowtroopers! All-out action amongst the wreckage of AT-AT walkers, Rebel airspeeders, and frozen weapons of mass destruction!

Darth Vader employs a surprise character from the past to help him find Luke Skywalker. But Sab?, former handmaided of Padm? Amidala, is also on a quest for the son of Vader. Having worked for him as an Imperial Commander, Sab? has enough resources to cause chaos for anyone who stands in her path. How will this affect the Dark Lord's plans to remove Palpatine from power?

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The Hunger Games Prequel Review & DC's Tim Sheridan Interview | ComicBook Nation https://comicbook.com/comics/news/hunger-games-prequel-explained-box-office-mcu-movie-casting-release-date-changes/ Mon, 20 Nov 2023 21:29:00 +0000 Kofi Outlaw 762ac0a2-d92c-4148-9870-a8c48ff6f6f1

The ComicBook Nation Crew Reviews The Hunger Games: The Ballad of Songbirds and Snakes and talk to DC's Tim Sheridan about his new comic series Alan Scott: The Green Lantern!

PLUS: MCU Casting is ramping up with Pedro Pascal joining Fantastic Four and Invincible's Steven Yeun playing Sentry??? There's also talk about Netflix's new series Scott Pilgrim Takes Off, the MonsterVerse continuing with Monarch: Legacy of Monsters and predictions for AEW's Full Gear event!

ComicBook Reviews The Hunger Games: The Ballad of Songbirds and Snakes

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(Photo: Producer Pete)

If you're a fan of The Hunger Games, The Ballad of Songbirds & Snakes is going to transport you back to Panem with great ease. The film is daring, engaging, tense, and even occasionally funny. It's no easy feat to make a prequel that's just as good, if not better, than the films that came before. However, The Ballad of Songbirds & Snakes manages to outshine both Mockingjay films while giving The Hunger Games and Catching Fire a run for their money. Not only is The Ballad of Songbirds & Snakes faithful to the book, but it showcases one of the best casts of the year. If you have any affection for this franchise, you won't want to miss the newest installment on the big screen.

Rating: 4.5 out of 5

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Marvel Previews New Secret Wars Series https://comicbook.com/comics/news/marvel-secret-wars-battleworld-1-preview/ Mon, 20 Nov 2023 21:00:00 +0000 Cameron Bonomolo 027bd873-fc89-4c03-98fa-50bfa8953ce6
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New Spider-Punk Series Brings Hobie Brown Back to Marvel Comics https://comicbook.com/comics/news/marvel-spider-punk-hobie-brown-new-series/ Mon, 20 Nov 2023 20:09:00 +0000 Timothy Adams 3df28d25-893e-4a1d-9c3e-672c72bbbdd1

Spider-Punk, the anarchic breakout hit from Spider-Man: Across the Spider-Verse, is about to star in a new solo series from Marvel Comics this fall. The Spider-Verse hero has been around the Marvel Universe for a while, but fans really took to the character when he made his big-screen debut. Hobie Brown has teamed with the other Spider heroes for crossover events like Spider-Verse and Spider-Geddon, but his next adventure will see him go it alone. Spider-Punk's ax and punk-rock attitude are on full display in a new four-issue miniseries from writer Cody Ziglar and artist Justin Mason. The duo collaborated on Spider-Punk's previous miniseries as well.

"It feels so friggin' cool to dive back into Earth-138 with Justin and explore the world of Hobie and the Spider-band even more!" Ziglar said when the Spider-Punk series was announced. "There's some new additions to the Spider-Punk roster, some real dope villains, and some other cool stuff I don't wanna spoil... but absolutely cannot wait for folks! And yes, there'll 100% be a Spider-Punk Playlist Vol 2!"

What is Marvel's Spider-Punk series about?

The description for the new Spider-Punk series reads, "In a world without NORMAN OSBORN, SPIDER-PUNK REIGNS! This ain't no victory lap though - as HOBIE BROWN and team try to rebuild society, JUSTIN HAMMER & DOCTOR OTTO OCTAVIUS have other plans... like introducing the world to the SPIDER-SLAYING SENTINELS! Cody Ziglar (MILES MORALES: SPIDER-MAN) & Justin Mason (SPIDER-MAN 2099: DARK GENESIS) reunite to bring the Brooklyn boy back with the whole crew you know and love! Grab your boots, your instruments, your amps and LET'S GO!"

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(Photo: Marvel Comics)

Daniel Kaluuya speaks on joining Spider-Man: Across the Spider-Verse

Spider-Man: Across the Spider-Verse introduced fans to even more Spider heroes than Peter Parker, Miles Morales, and Gwen Stacy. One of the newcomers is Spider-Punk, voiced by Daniel Kaluuya. Spider-Punk is British, just like Kaluuya, which allowed the actor to harness his roots for the role.

"I was gassed," Kaluuya told Empire. "I turned to [Phil] Lord, [Chris] Miller, and Kemp [Powers] and said, 'Thank you for letting me be a part of it, because this is cool as f--k.' I'm a voice in Spider-Verse with a wicked character that sounds exactly like me, from where I'm from. Come on! You go to the younger people in your family and flex, 'I'm getting on, but don't forget!'"

This makes Kaluuya and Spider-Punk a perfect match, combining real-world history with a popular, if underutilized, comic book character.

"I'm Camden born and bred, and this character is from Camden, which is very much associated with the punk movement, so I think they wanted to lean into what they have for free with me," the actor said. "I felt really respected."

Written by Cody Ziglar with art by Justin Mason and a cover by Takashi Okazaki, Spider-Punk #1 goes on sale February 28th.

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Daredevil's Most Controversial Costume Returns in New Marvel Preview https://comicbook.com/comics/news/daredevil-black-armor-1-preview-revealed/ Mon, 20 Nov 2023 04:48:00 +0000 Adam Barnhardt 0cd56004-5083-4a6a-b24b-5be2e675f760
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Doctor Who: Ncuti Gatwa's Fifteenth Doctor Comes to Comics in 2024 https://comicbook.com/comics/news/doctor-who-new-doctor-fifteenth-ncuti-gatwa-comics-free-comic-book-day-fcbd-2024/ Sat, 18 Nov 2023 16:05:00 +0000 Jamie Lovett 49af836f-b780-49d6-a5d6-157dd6a9ad5d

Doctor Who is bringing Ncuti Gatwa's Fifteenth Doctor to comics in 2024. Titan Comics has announced it will release Doctor Who: The Fifteenth Doctor: Free Comic Book Day Edition on Free Comic Book Day, May 4th. Dan Watters (Loki, Home Sick Pilots, The Sandman Universe: Lucifer) writes the issue, which will be the comic book debut of Gatwa's Fifteenth Doctor and his companion, Ruby Sunday, played on television by Millie Gibson. The Free Comic Book Day issue commemorates Titan's 10th year of publishing Doctor Who comics, with plans for a Doctor Who: The Fifteenth Doctor series to follow the Free Comic Book Day Edition.

"Doctor Who Free Comic Book Day marks the first appearance of the Fifteenth Doctor in Titan Comics and I'm so excited - it feels like we've been waiting for this new era forever!" series editor Jake Devine says in a press release. "We've got an incredible story to tell from a fresh creative team with a spectacular vision. I can't wait for fans to get stuck in!"

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(Photo: Titan Comics)

What is Free Comic Book Day?

Free Comic Book Day takes place yearly on the first Saturday in May. More than 2,000 comic book stores and many comic book publishers participate in the annual celebration of the comics industry. On Free Comic Book Day, readers can take home free comics simply by visiting a comic book shop. Readers can find participating stores via the Comic Shop Locator Service.

Many Free Comic Book Day offerings from publishers provide insights into their plans for the rest of the year. Marvel's Free Comic Book Day 2024 offerings include glimpses of the next era of X-Men comics, the upcoming Blood Hunt event, the next big Spider-Man story, the future of the Ultimate Universe, and what's next for its Star Wars line.

When is Doctor Who's Disney+ release date?

Doctor Who returns to television next week. After debuting as the Fourteenth Doctor in a scene made for BBC Children in Need, David Tennant will be the Doctor again for three 60th-anniversary Doctor Who specials. The first of those specials, "The Star Beast," airs on the BBC on Saturday, November 25th. The special will stream on the same day on Disney+ outside the United Kingdom.

The Doctor Who 2023 specials begin the BBC and Disney+'s partnership to turn Doctor Who into an international franchise worthy of its 60-year history. That relationship continues into "The Church on Ruby Road," the 2023 Doctor Who Christmas Special airing on Christmas Day. The episode will be Gatwa's first leading the series as the Doctor and Gibson's debut as Ruby Sunday.

In 2024, Disney+ will host its first season of Doctor Who, starring Gatwa and Gibson, which wrapped filming in July. Doctor Who Season 14 will consist of only eight episodes, a shorter episode count than previous, recent Doctor Who seasons, but one that returning showrunner Russell T Davies has promised will deliver great episodes, set up things to come, and ensure there are no more years without Doctor Who, as has been the case recently (Gatwa's second season of Doctor Who is already filming).

"Okay, that's fewer episodes than the last full season," Davies conceded to Doctor Who Magazine. "But give us time. We have plans, and that's a promise! It takes a while to get the empire in shape, but that's a serious plan: annual Doctor Who, no gap years, lots of content, on and on."

Doctor Who MegaBundle 2023 at Humble Bundle

Many Doctor Who comics Titan has published over the past decade are available as of the Humble Bundle's Doctor Who MegaBundle 2023, which helps support BBC Children in Need. That includes all seven volumes of the stellar Doctor Who: The Tenth Doctor series for those looking for even more David Tennant Doctor Who. There are also various Doctor Who audio dramas from Big Finish Productions (including The Tenth Doctor Chronicles) and resources for the Doctor Who Roleplaying Game (including The Tenth Doctor Sourcebook and Tenth Doctor Adventures Book).

Doctor Who MegaBundle 2023 is available on Humble Bundle for another 19 days at the time of writing. Free Comic Book Day is May 4th. Doctor Who returns to television and Disney+ on November 25th. The modern Doctor Who series' previous seasons are still streaming on Max. You can make your way through using ComicBook.com's Doctor Who streaming binge guide.

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Catwoman Joining DC's Suicide Squad https://comicbook.com/dc/news/catwoman-joining-dcs-suicide-squad/ Sat, 18 Nov 2023 04:53:00 +0000 Spencer Perry 8f3a368a-6fde-4923-8e75-d041f0e07bea

DC has released their February 2024 solicitations, and in doing so confirmed a new member of the Suicide Squad. There hasn't been an ongoing Suicide Squad comic series at DC Comics in over a year, so it's not in a relaunch of the title that this will occur, instead, the pages of Catwoman #62 will send Selina Kyle into the clutches of Amanda Waller and Task Force X. It's unclear who else will be on the Suicide Squad team with Catwoman, but this will likely just be a one-issue story of her on the Suicide Squad.

Despite the countless DC villains that have been a member of the Suicide Squad this will actually mark the first time that Selina Kyle has ever been on the team. In recent years Catwoman has become more of an anti-hero and straight up superhero in the pages of DC Comics, but that still makes it a little surprising that she never took on a role with the team in her purely villain era.

The upcoming Catwoman #62 will be the fourth chapter in a new storyline titled "Nine LIves." Kicking off in Catwoman #59, the storyline sees Selina leaving Gotham and embarking on "nine deadly missions, each one set aside for their certain lethality." Apparently joining the Suicide Squad was only #4 on the list. Check out the full solicitation and covers for Catwoman #62 below.

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(Photo: dc comics)

CATWOMAN #62
Written by TINI HOWARD
Art by CARMINE DI GIANDOMENICO
Cover by DAVID NAKAYAMA
Variant cover by MARCIO TAKARA
Variant cover by INHYUK LEE
1:25 variant cover by LEIRIX
1:50 variant cover by JORGE FORNES
$3.99 US | 32 pages | Variant $4.99 US (card stock)
ON SALE 2/20/24
NINE LIVES PART FOUR
Catwoman has completed three of her "impossible" heists, but her nine lives are running out faster than she thought! Little does she know, someone with a particular use for disposable lives has been paying attention to her new mission-and that someone is none other than AMANDA WALLER! Welcome to the Suicide Squad, Selina Kyle-hope you survive the experience!

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(Photo: dc comics)
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(Photo: dc comics)
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(Photo: dc comics)
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(Photo: dc comics)
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Marvel's Valkyries Just Got a Surprising New Addition https://comicbook.com/comics/news/marvel-valkyries-new-addition-d-dog-marvel-unleashed-4/ Sat, 18 Nov 2023 03:14:00 +0000 Jenna Anderson 29908354-f6ec-4e0f-9d4c-96d96e900dea

Over the years, Marvel Comics' Valkyries have become a powerful and important part of the larger lore. A number of characters have weaved in and out of the group's narrative -- and that recently includes an unexpected new character. Spoilers for Marvel Unleashed #4 from Kyle Starks, Jesus Hervas, Yen Nitro, and Joe Caramagna below! Only look if you want to know!

Marvel Unleashed centers around a ragtag group of Marvel's pet-themed heroes, who are thrown into an unpredictable fight against Blackheart. In addition to Throg, Lockjaw, Redwing, Chewie, Lucky, and Bats, the ensuing battle includes D-Dog. D-Dog, who has befriended the pets across the series, is a stray dog who found Demolition Man's mask in the garbage, and was then motivated to become a superhero.

During the fight, D-Dog fights valiantly -- but dies in the process. That is far from her ending, though, as she wakes up on the Rainbow Bridge, and worries that without a human in life, she will be stuck in that limbo forever. The other pets join her and Throg opens a portal, which brings D-Dog to Valhalla. The Valkyries quickly greet D-Dog, and welcome her in as a great hero of their caliber.

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(Photo: Marvel Comics)

What Is Marvel Unleashed About?

In Marvel Unleashed, when Kraven abducts Lockjaw at the same time a local scientist mixed up with A.I.M. goes missing, it's up to Throg the Frog of Thunder, Redwing the Falcon, Chewie the Cat Flerken, Lucky the Pizza Dog, Bats the Ghost Dog and their scrappy new ally D-Dog to save the day. But there's more to this case than meets the eye, and something infernal lurks in the shadows. Can feathers, fangs and claws stand against one of the deadliest foes in the Marvel Universe?

When Will Valkyrie Return to the MCU?

Tessa Thompson's live-action version of Valkyrie just made her big-screen return, very briefly appearing in The Marvels. The film sees Carol Danvers / Captain Marvel (Brie Larson), Kamala Khan / Ms. Marvel (Iman Vellani), and Monica Rambeau (Teyonah Parris) partnering up after their light-based powers became entagled. As they learn, the snafu is due to Dar-Benn (Zawe Ashton), who is ripping open jump points across space and time in order to funnel resources onto Hala. This includes destroying the atmosphere on Tarnax and killing many of the Skrulls on the planet -- but Carol, Kamala, and Monica work to save as many of them as they can.

Once the dust settles and everyone is on Carol's ship, she calls up "a friend" to help get the Skrull refugees to safety -- Valkyrie, who arrives via the Bifrost. She and Carol exchange greetings, and Valkyrie remarks that Carol has finally found a team of sorts for herself, which Carol downplays. Valkyrie gives Carol a kiss on the cheek, and then transports the Skrulls away on the Bifrost.

What do you think of D-Dog making it to Marvel's Valhalla? Share your thoughts with us in the comments below!

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Marvel Reveals First Looks at Fall of the House of X and Rise of the Powers of X https://comicbook.com/comics/news/marvel-fall-of-the-house-of-x-rise-of-the-powers-of-x-first-looks/ Fri, 17 Nov 2023 19:05:00 +0000 Timothy Adams ce43f70d-2af9-4840-9dd5-950bff0aef8f
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Check Out This First Look at Diamond Select Toys's Teenage Mutant Ninja Turtles Donatello PVC Diorama https://comicbook.com/gear/news/check-out-this-first-look-at-diamond-select-toyss-teenage-mutant-ninja-turtles-donatello-pvc-diorama/ Fri, 17 Nov 2023 18:33:00 +0000 Russ Burlingame 36afb7d2-6369-473a-9cf9-c91cca40a63f

Diamond Select Toys has provided ComicBook.com with an exclusive first look at the Donatello Deluxe PVC diorama from their Teenage Mutant Ninja Turtles diorama gallery. The fourth of their four Turtles, Donnie comes with his staff out and a piece of the roof, where he and his brothers are hanging out and waiting for a fight. The designs for the Turtles owe a lot to modern comics representations, with fairly human proportions and hyper-detailed muscles and expressions.

The PVC dioramas are one of Diamond's signature products, with a number of these connected-base versions coming from things like superhero teams and movie heroes.

You can see the solicitation text and images below.

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TMNT Gallery Donatello Deluxe PVC Diorama

A Diamond Select Toys release! Complete the four! Joining Leonardo, Raphael and Michelangelo, the Ninja Turtles' resident tech-head Donatello is the last to join the team! Now you can complete your TMNT display, either by lining them up or joining them together in a rooftop configuration! Measuring approximately 10 inches tall, this sculpture is made out of high-quality PVC and comes packaged in a full-color box. Designed by David Forrest of Kinetic Underground, Inc., and sculpted by Sandro Luis Sampaio!

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Diorama SRP: $75.00
Pre-orders open 11/17 on Diamondselecttoys.com
Shipping Spring 2024

Teenage Mutans Ninja Turtles: Mutant Mayhem stars Micah Abbey as Donatello, Shamon Brown Jr. as Michelangelo, Nicolas Cantu as Leonardo, and Brady Noon Raphael. The cast also includes Hannibal Buress as Genghis Frog, Rose Byrne as Leatherhead, John Cena as Rocksteady, Jackie Chan as Splinter, Ice Cube as Superfly, Natasia Demetriou as Wingnut, Ayo Edebiri as April O'Neil, Giancarlo Esposito as Baxter Stockman, Post Malone as Ray Fillet, Seth Rogen as Bebop, Paul Rudd as Mondo Gecko, and Maya Rudolph as Cynthia Utrom.

You can watch the film now on Paramount+ or buy it on Digital.

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By A Thread #2: Check Out This Exclusive Preview of Scott Snyder and His Son Jack's New Book https://comicbook.com/comics/news/by-a-thread-2-check-out-this-exclusive-preview-of-scott-snyder-and-his-son-jacks-new-book/ Fri, 17 Nov 2023 16:10:00 +0000 Russ Burlingame d083626c-5e47-4715-afdd-a134c9ee29d5
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Marvel's 2024 Free Comic Book Day Titles Tease Blood Hunt Event, Ultimate Universe and More https://comicbook.com/comics/news/marvel-2024-free-comic-book-day-blood-hunt-ultimate-universe-xmen-star-wars/ Fri, 17 Nov 2023 16:02:00 +0000 Timothy Adams 37c386d4-b666-420a-87e5-88fa0e7e9b87
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DC Announces The Bat-Man: First Knight From Dan Jurgens and Mike Perkins https://comicbook.com/comics/news/dc-announces-the-bat-man-first-knight-dan-jurgens-mike-perkins/ Fri, 17 Nov 2023 15:00:00 +0000 Jenna Anderson 79bea193-c6e7-4495-ae46-5be30df37439
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Marvel Reveals Night Thrasher Solo Series https://comicbook.com/comics/news/marvel-reveals-night-thrasher-solo-series/ Fri, 17 Nov 2023 03:30:00 +0000 Matthew Aguilar a0c38351-7685-47e3-a918-f755e3b5e1af

Marvel is bringing a '90s favorite back into the spotlight for his own solo series, and that returning star is New Warriors' member Nigh Thrasher. Night Thrasher is headlining a new four-issue solo series, but while the character is synonymous with the '90s, he's leaving all that behind and taking on the modern era. In addition to a new costume, Night Thrasher will also be rekindling his relationship with Silhouette. That reunion will lead Dwayne Taylor to a collision with an all-new arch-enemy known only as The O.G. and the revelation of their identity will have some serious ramifications for Taylor's future and legacy.

Night Thrasher will be written by J. Holtham (Cloak and Dagger, Jessica Jones) and drawn by Nelson Daniel, and the main cover to issue #1 will feature the art of Alan Quah. You can check out that slick new cover below, and you can read the full issue when it hits stores in February of 2024.

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(Photo: Marvel)

Discussing the series with host Ang?lique Roch?, Holtham said, "Obviously, there's a ton of nineties nostalgia floating around. It feels like a dude on a skateboard is always going to be cool and fun. I'm from the nineties and I have aged and there's a lot in this that is about, 'What's your legacy? What have you left behind?,' especially because we haven't seen him for a while."

"He had to go on a journey of self-discovery and hung out other places for a while to process that 'I was dead then I wasn't dead.' And then, 'What's the world like?' It's mostly about him coming home to deal with the crap that he has not dealt with," Holtham said. You can find the official description below.

"It's time to thrash the night! The death of a loved one draws Dwayne Taylor back to New York City, though his days as Night Thrasher are long over. But Dwayne finds the past difficult to outrun when Silhouette, his ex-teammate from the New Warriors, seeks his help against a new criminal called The O.G. And the mystery of the O.G.'s true identity and what's to come will change Night Thrasher's legacy forever!"

The New Warriors debuted in 1989 and were created by Tom DeFalco and Ron Frenz. The core group included Night Thrasher, Nova, Speedball, Justice, Namorita, and Firestar, though they have grown to include other members and roster lineups over the years. The New Warriors were later at the center of Marvel's epic Civil War event, after the team's battle against Nitro caused a massive explosion and killed over 600 people.

Taylor was killed in that explosion, as his body was discovered after the blast, and later his brother would take over the mantle. Months later it was revealed that Taylor didn't die in the explosion, but had to fight in a Contenst of Champions in a different realm and would make a return thanks to The Ultimates. Now he's still reconciling with everything that happened, and old ties will lead him back to New York to face his past and new threats.

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Z2 Reveals First Look at Iron Maiden: Piece of Mind Collector's Book (Exclusive) https://comicbook.com/comics/news/z2-reveals-first-look-at-iron-maiden-piece-of-mind-collectors-book-exclusive/ Fri, 17 Nov 2023 01:58:00 +0000 Matthew Aguilar 61dc6969-fd8d-47a5-9d41-fbd5e5f7da17

Iron Maiden's groundbreaking studio album Piece of Mind was released in 1983, achieving critical and commercial success while also becoming a statement from what is one of rock's greatest bands. Now Iron Maiden is bringing that legendary album into the world of books courtesy of award-winning publisher Z2. Iron Maiden: Piece of Mind is a new commemorative book packed with comics, art, and testimonials from acclaimed writers, artists, actors, and musicians, all in celebration of the iconic group, and we've got an exclusive first look at the new book before it hits stores on November 21st below. You can pre-order the new edition right here.

Iron Maiden: Piece of Mind opens with an introduction from manager Rod Smallwood, and the book also features original stories for each of the album's nine tracks. Where Eagles Dare is written by Steven Grant (The Punisher) and illustrated by Carson Thorn (Batman the Barbarian), while Revelations is written by Bruce Dickinson with Tony Lee (Doctor Who) and illustrated by Damien Worm (The October Faction).

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(Photo: Z2)

Flight of Icarus is written by Ivan Brandon (24Seven, Viking) and illustrated by Francesco Dossena (Dylan Dog), while Die With Your Boots On is written by Emmy-winning director and screenwriter Sacha Gervasi and illustrated by Christian Rosado. The Trooper is written by Antony Johnston (Atomic Blonde) and illustrated by Staz Johnson (Rogue Trooper),

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(Photo: Z2)

Quest for Fire is written by metal authority Brian Posehn (writer, comedian, actor) with art by Michael Avon Oeming (Powers), while Sun and Steel is written by multiple World Fantasy Award-nominee Chris Roberson (iZombie) with art by Danijel ?e?elj (Luna Park). To Tame a Land is written and illustrated by Alison Sampson (Hit-Girl).

"When the idea of a Piece of Mind 40th Anniversary graphic novel first came up, I felt it was the perfect medium to expand outside the confines of the songs and to create new storylines and new dimensions through short form narrative and imagery," says Bruce Dickinson. "With 'Revelations,' it allowed me to add more layers and dimensions to the lyrics and add a new twist."

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(Photo: Z2)

"Equally as exciting," Dickinson continues, "was bringing together some of the top writers and illustrators in the industry who are all actual fans of the band, to add their own creative ideas inspired by the songs, Eddie, and the album itself. Z2 did a tremendous job in pulling this all together to create more than just a graphic novel, it's what I consider a work of art."

There are also original pieces of artwork by acclaimed illustrators between each story, and the talented roster includes Montos, Ghoulish Gary, Steve Chanks, Jan Meininghaus, Kyle Hotz, Jay Geldhof, Darin Hazmat, Travis Knight, Akirant and Nat Jones.

"The road to working with Iron Maiden began over 40 years ago for the Z2 staff, on both our turntables and in our sketchbooks. Iron Maiden's impact on art, music and culture is immeasurable and to get a chance to celebrate the legend and the lore of Piece of Mind with the band and management is an honor we don't take lightly," says Josh Bernstein, President of Z2. "I hope fans enjoy what has become an incredible global love letter to Iron Maiden."

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(Photo: Z2)

Eisner and Harvey award-winning editor Rantz Hoseley put the project in context "If you had told me when I snuck out of the house at 16 to see the Piece of Mind tour in Spokane, that 40 years later I'd be working on this tribute... and getting a story from Bruce Dickinson to boot?! Well, that's one of those rare and precious moments in your creative career where you literally crash up against your youthful dreams coming true. Being entrusted by Maiden to edit this book has been the honor and privilege of a lifetime."

Iron Maiden: Piece of Mind will also have five variants available for collectors. The Trooper cover features the work of J.G. Jones (Y: The Last Man), and the Asylum Edition cover will feature artwork by Jason Edmiston. The Die With Your Boots on cover will be illustrated by Dan Mumford, and The Flight of the Icarus cover will be drawn by Martin Simmonds (The Department of Truth). There will also be an additional The Trooper Cutaway cover by Travis Knight. You can find all of the editions below.

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(Photo: Z2)

? The standard edition graphic novel (HC) with cover art by Dan Mumford ($40.00).
? The FLIGHT OF ICARUS Edition featuring the standard edition graphic novel (HC) with cover art by Martin Simmonds - limited to only 3,000 copies and exclusive to Independent Comic Shops ($40.00).
? THE TROOPER Edition featuring the standard edition graphic novel (HC) with cover art by J.G. Jones - limited to 500 copies and exclusive to Project M/Revolver Magazine ($40.00).
? THE TROOPER Cutaway Edition featuring the standard edition graphic novel (HC) with cover art by Travis Knight - limited to 666 copies and exclusive to Rockabilia.com ($40.00).

? THE TROOPER Foil Card in sealed Collector's Case, art by Travis Knight - limited to 666 cards ($35.00).
? DELUXE Edition including the oversized graphic novel (HC) w/bonus pages and a POP-UP insert featuring cover art by Jason Edmiston encased in the Piece of Mind Asylum Clamshell box with locking Cell Door Action and three (3) Piece of Mind Art Prints Triptych set by Hydro 74, ($150.00) - website only.
? THE ASYLUM Edition includes the oversized graphic novel w/bonus pages and a POP-UP insert featuring cover art by Jason Edmiston, encased in the Piece of Mind Asylum Clamshell box with locking Cell Door Action, three (3) Piece of Mind Art Prints Triptych set by Hydro 74, one (1) 1983 Piece of Mind replica concert ticket, one (1) Die With Your Boots On Art Print, signed and numbered by Dan Mumford (only available to the first 500 orders), four (4) Iron Maiden Collectors Cards in a display case featuring the works of Dan Mumford, Jason Edmiston, J.G. Jones, and Martin Simmonds ($300.00). Additionally, The Asylum Edition includes one (1) Eddie Asylum Model Kit, which will be shipped separately.

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Marvel's Avengers: Twilight Frank Miller Variant Cover Pays Homage to The Dark Knight Returns https://comicbook.com/comics/news/marvel-avengers-twilight-frank-miller-variant-cover-the-dark-knight-returns/ Fri, 17 Nov 2023 00:00:00 +0000 Cameron Bonomolo df9fedb7-bbe3-46a8-94bd-01ac671f8bb5
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DC Announces The Joker Year One https://comicbook.com/comics/news/the-joker-year-one-dc-comics-batman/ Thu, 16 Nov 2023 22:49:00 +0000 Timothy Adams d0093ba0-4ec2-4892-902d-d9b27a55051d
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Top 10 Comic Books Rising in Value in the Last Week Include Daredevil and a Lot of X-Men https://comicbook.com/comics/news/top-10-comic-books-rising-in-value-in-the-last-week-daredevil-x-men-covrprice/ Thu, 16 Nov 2023 22:40:00 +0000 Matt DeVoe 8f2bf50f-ea5e-41c2-8b21-b6db07090d74

The X-Men make an enormous splash by taking over more than half of our top ten list this week! First off, we have the first appearance of the Hellverine and Armor. Then we get two awesome covers featuring X-23 and a new X-Men character by Peach Momoko. The last two books are at the very top of our list and contain major spoilers, so read at your own risk! The Bad Batch are back at it again, and hype continues to build for Marvel's first TV-MA streaming show! Arthur Adams has gifted us a phenomenal Mary Jane cover, and a murderous bear leaves their mark at the top of our lists! Read on to find out why these books are trending!

Want to know what comic books are trending each week and why? COVRPRICE.COM uses live sales analytics to identify and compile the most robust market price guide, highlighting the weekly top trending comics. No opinions. Just data. Each week, they present a newly updated list of the TOP 10 COMICS trending in the aftermarket. These trends are due to rumors, fan-favorite covers, story-driven content, and content-related news.

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(Photo: CovrPrice)

#10 GHOST RIDER #17 - BJORN BARENDS | MARVEL | 2023 When Marvel first announced The Hellverine, very few people took the character seriously. As Hellverine became more popular, this book became harder to track down as fans have caught wind of the cameo appearance hidden behind this fantastic cover! We tracked it at a high sale of $63 for a raw copy and a current raw NM FMV of $39.

#9 X-FORCE #46 - JEFF DEKAL (1:25) | MARVEL | 2023 Not every book must be a key to be in our top ten! Some books deliver a fantastic cover that everyone needs in their collection, like this one! Jeff Dekal illustrates a beautifully contrasting image of X-23. This cover is also a retailer incentive, making it that much more difficult to find. While the hunt continues, we tracked it at a high sale of $74 for a raw copy and a current raw NM FMV of $52.

#8 DAREDEVIL #9 | MARVEL | 1999 The first trailer for Echo has been released and generated hype over the new show. So many positives surround this show that it makes sense that Maya Lopez's first appearance is seeing its second week on our top ten list! A CGC 9.8 copy achieved an impressive high sale of $200, with the current fair market value for a raw NM copy standing at $79.

#7 STAR WARS: HYPERSPACE STORIES #10 - TOM FOWLER - REGULAR | DARK HORSE | 2023 The Bad Batch was a hit when it arrived on Disney+. This book marks their first comic book debut and is moving fast in the aftermarket! The Bad Batch has a strong fandom, and it shows a high sale of $80 for a CGC 9.8 copy and a current raw NM FMV of $10.

#6 ASTONISHING X-MEN #4 - BEAST COVER | MARVEL | 2004 Peach Momoko has built a huge fanbase with her artwork. Her next big project, ULTIMATE X-MEN, will feature a new X-Men team. The mutant, Armor, will lead that new team, and her significance in this series has shined a light back on her first appearance. We tracked it at a high sale of $64 for a CGC 9.6 copy and a current raw FN FMV of $3.

#5 THE AMAZING SPIDER-MAN #37 - ARTHUR ADAMS (1:25) | MARVEL | 2023 No, this issue is not a minor or major key. It is simply great artwork and a notable artist. Aside from the great cover work, this book is a retailer variant and the return of the spidey-variant Rek-Rap. A couple of funhouse villains debut in this issue, but their importance is yet to be determined in the overarching story. In the meantime, we tracked it at a high sale of $40 for a raw copy and a current raw NM FMV of $29.

#4 BENEATH THE TREES WHERE NOBODY SEES #1 - PATRICK HORVATH - COVER A | IDW | 2023 The cuddly serial killer bear, known as Samantha, is causing quite a stir. It is because this book is heating up on the aftermarket! The main reason for this is due to the perceived scarcity of the issue. However, recent reports have indicated that there may be more copies out there that retailers still need to release (due to the immediate hype). Please take this rumor with a grain of salt, but it is worth a trip to your local comic shop to see if any more issues have hit the racks! We tracked it at a high sale of $30 for a raw copy and a current raw NM FMV of $14.

#3 X-MEN #27 - PEACH MOMOKO - NEW CHAMPIONS | MARVEL | 2023 Last month, a series of covers was released that fell under the banner of "New Champions". Of all the covers, Maystorm was the first to be taken from concept to featured in a comic book. Momoko announced that Maystorm will be a permanent part of her ULTIMATE X-MEN series. This announcement immediately lit a fire under this book and sent it to the top of our lists as fans rushed to pick up a copy of Maystorm's first cover appearance! We tracked it at a high sale of $25 for a raw copy and a current raw NM FMV of $24.

#2 X-MEN #164 | MARVEL | 1982 ***SPOILER ALERT*** While this book is still hot, it is still trailing behind X-MEN 164 - NEWSSTAND. Collectors typically find newsstand copies of books more challenging to find and, therefore, more exclusive. In the case of this issue, the two variants are fairly neck-in-neck in terms of value. We tracked it at a high sale of $255 for a CGC 9.8 copy and a current raw VF FMV of $27.

#1 X-MEN #164 - NEWSSTAND | MARVEL | 1982 ***SPOILER ALERT*** Everyone agrees that the end credit scenes for The Marvels were essential to the overall direction of the MCU. The scene featured an alternate universe version of Maria Rambeau, Monica Rambeau's mother as Binary. In the comic books, Carol Danvers portrays this role. The MCU has revamped characters in the past, and it looks like Binary is the latest to receive a redesign. Nevertheless, fans are excited about her future in the MCU, favoring the newsstand copy over the direct. We tracked it at a high sale of $160 for a raw copy and a current raw VF FMV of $33.

And that's your TOP 10 COMICS OF THE WEEK for 11/13/23! Want to know what your comic books are worth? COVRPRICE.COM offers the ULTIMATE price guide with LIVE ungraded (raw) and graded sales for today's market trends. Manage your collection and track your portfolio's overall value with our robust tracking systems. With a free 10-day trial and several affordable price tiers, discover the value of your comics and sign up today! CHECK OUT THE TOP 10 ON OUR YOUTUBE CHANNEL. PLEASE LIKE & SUBSCRIBE!

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Marvel Teases a Mystery From the Original Secret Wars in Battleworld Preview (Exclusive) https://comicbook.com/comics/news/marvel-super-heroes-secret-wars-battleworld-spider-man-secret/ Thu, 16 Nov 2023 20:22:00 +0000 Timothy Adams 5eb7f01c-2206-4b50-bc3a-6c542e25fc51
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Steve Orlando Talks Spider-Man 2099's Clash With Marvel's Future Horrors (Exclusive) https://comicbook.com/comics/news/steve-orlando-miguel-ohara-spider-man-2099-interview/ Thu, 16 Nov 2023 17:13:00 +0000 Timothy Adams 19dda208-d195-468f-8d3b-1b0465213826
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McFarlane Toys' King Spawn and Demon Minions Deluxe Figure Set Is Armed To The Teeth https://comicbook.com/comics/news/mcfarlane-toys-king-spawn-and-demon-minions-deluxe-figure-set-is-armed-to-the-teeth/ Thu, 16 Nov 2023 17:02:00 +0000 Sean Fallon 88e24be0-9841-4a1f-8bc1-05f81dff5838 bce45a6caaa441d18c14f4e7235801eexl.jpg

Based on King Spawn comic series that launched as part of Spawn's Universe expansion lineup in 2021, McFarlane Toys is undoubtedly super excited to launch this new deluxe figure set. It includes a 7-inch scale winged King Spawn figure, three Demon Minions, and an arsenal of 7 weapons. Pre-orders are available here at Entertainment Earth and here on Amazon now priced at $49.99.

Spinning out of the pages of the super-sized one shot, Spawn's Universe, King Spawn was the first new ongoing Spawn comic since the original series debuted back in 1992. It was followed by Gunslinger Spawn - a spin-off of the western themed Hellspawn character - and The Scorched, a team-up book of characters from the universe. Details about other recent additions to McFarlane Toys Spawn lineup can be found below.

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We'll start with McFarlane Toys' glow-in-the-dark, Gold Label edition of Redeemer, which is now available to to order here on Amazon as an exclusive priced at $29.99. In addition to the glow paint, The Redeemer includes two swords, wings, a base, an art card, and a stand. There's also a certificate of authenticity, which indicates that this figure is a limited edition of 3000 units. You can also get the previously released, standard edition of Redeemer here on Amazon for $15.99 (36% off).

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The sixth wave of action figures from McFarlane Toys' Spawn lineup was revealed recently, and it includes 7-inch scale figures of Reaper and Distruptor. McFarlane has also dropped the second wave of Spawn Page Punchers figures, which bundle a 3-inch figure of with a comic book. In this case, the bundles are 2-packs, with figures of She-Spawn and Curse in one bundle and Freak and Mandarin in the other. Pre-orders for all of these releases are live now, and you'll find them via the links below.

  • McFarlane Toys Spawn Wave 6 Reaper Figure - See at Entertainment Earth: Reaper includes wings, a pair of alternate hands, a scythe, and a display base.
  • McFarlane Toys Spawn Wave 6 Disruptor Figure - See at Entertainment Earth: Disruptor includes a pair of alternate hands, energy effects, a base attachment, and a display base.
  • McFarlane Toys Spawn Page Punchers She-Spawn and Curse 2-Pack - See at Entertainment Earth: Each 3-inch figure in the pack features 5 points of articulation and come with an English only reprint of Scorched #12.
  • McFarlane Toys Spawn Page Punchers Freak and Mandarin 2-Pack - See at Entertainment Earth: Each 3-inch figure feature in the pack features 5 points of articulation and an English only reprint of Scorched #13.
  • See more McFarlane Toys Spawn figures here on Amazon.

Spawn Movie News

Todd McFarlane has been developing a new Spawn film for many, many years now. It has been a long process and one that has seen many different developments. McFarlane had previously intended to direct the film, but realized he wouldn't be able to secure the budget necessary from a studio as a first-time director. As of right now, Scott Silver, Malcolm Spellman and Matt Mixon are attached to write the screenplay. Silver is the most notable of the bunch having written Joker, 8 Mile, and The Fighter, but the script is currently on pause due to the writers' strike. We'll have to wait and see what comes of the film once the strikes resolve, but it does seem to be pretty far a long thanks to its writers and having already assembled a few A-list cast members.

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DC CCO Jim Lee Draws Marvel's Wolverine on a Pair of Sneakers https://comicbook.com/comics/news/dc-cco-jim-lee-draws-marvels-wolverine-on-a-pair-of-sneakers/ Thu, 16 Nov 2023 15:26:00 +0000 Russ Burlingame d590f24d-4c6d-4898-b511-5148cfdb6bc0

Kasina and Adidas have been honoring the late artist Kim Jung Gi with a release of "collegiate yellow" 80s sneakers -- something that a number of artists have jumped on to honor the artist and have a little fun themselves. One such artist? Comics legend Jim Lee, currently serving as Chief Creative Officer at DC. And while he drew The Flash on the left shoe, he opted for another character he's associated with -- one that, frankly, better fits the shoes themselves -- on the right. Yeah, that's Wolverine, whose yellow-and-black ensemble and three claws scream "I'm a perfect fit for this gig, Bub."

In addition to some pretty great head sketches, Lee had some fun with the shoes, creating thematically appropriate details on each. Wolverine's are covered in blood (particularly under the three Adidas stripes), and The Flash's are scorched, presumably from friction and a rough stop. Lee shared video of him getting authentic scorches through use of a stove.

You can see the post below.

It's a "hero versus villain" thing, though -- so it's actually Reverse-Flash (also yellow, black and red after all) on the toe of the left shoe, and The Flash is relegated to the tongue (where the shoe is white). On the tongue of the Wolverine shoe is Sabertooth. There are also some fun Easter eggs around them, including some "hidden" characters. Yes, that's Jay Garrick in the heel of the Flash shoe, and Goku in the heel of the Wolverine one.

Lee says he plans to display the sneakers at the Kasina booth at ComplexCon this weekend.

Lee, who rose to fame as an artist at Marvel, is key to having shaped the audience's perception of Wolverine. He left Marvel to found Image in the early '90s, then sold his stake in Image and its related characters to DC about a decade later. Lee said at the time he wanted to focus more on his art, and took on virtually every big DC character for years after that. More recently, he has been focused on editorial and management responsibilities, with most of his art being commissions, charity sketches, and the occasional variant cover.

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The Savage Sword of Conan #1 Covers and Preview Art Revealed (Exclusive) https://comicbook.com/comics/news/savage-sword-of-conan-1-covers-preview-art-titan-comics/ Thu, 16 Nov 2023 15:15:00 +0000 Timothy Adams b876ca84-1952-4bac-b089-3f2e00d6f46e
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G.I. Joe: A Real American Hero #302 First Look Revealed (Exclusive) https://comicbook.com/comics/news/gi-joe-a-real-american-hero-302-first-look/ Thu, 16 Nov 2023 15:03:00 +0000 Timothy Adams 393cf89b-3a72-49c2-8bc6-3e91b840a36d
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Marvel Reveals Identity of the New Captain Krakoa https://comicbook.com/comics/news/x-men-captain-krakoa-identity-hydra-captain-america-uncanny-avengers/ Wed, 15 Nov 2023 19:32:00 +0000 Timothy Adams 75144027-ae33-4909-a1ba-6d1eab909da4

The big mystery heading into the relaunch of Uncanny Avengers was the identity of Captain Krakoa. Cyclops originally took up the mantle after his public "death" and secret resurrection via the X-Men's mutant resurrection protocols. But someone else has stolen the Captain Krakoa moniker in the fallout of Orchis' attack on the Hellfire Gala. This caused Captain Americato reform the Avengers Unity Squad, with Captain Krakoa gathering his own version of the Mutant Liberation Front. With a confrontation looming, it's time for Marvel to finally reveal who the new Captain Krakoa is, and the revelation will surprise you.

*WARNING: The following article contains spoilers for Uncanny Avengers #4. Continue reading at your own risk!

Uncanny Avengers #4 comes from the creative team of Gerry Duggan, Javier Garr?n, Morry Hollowell, VC's Travis Lanham, Tom Muller, and Jay Bowen. The Avengers Unity Squad gets the drop on the MLF at Camp Lehigh. The heroes make quick work of the MLF and learn Captain Krakoa hid a nuclear bomb on the campus of Empire State University. Meanwhile, Captain Krakoa tries to take out Daily Bugle reporter Ben Urich for sticking his nose in Orchis business. Captain America squares off against the mysterious Captain Krakoa as the issue ends with the startling discovery that Captain Krakoa is really Hydra Cap from Secret Empire.

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(Photo: Marvel Comics)

Who is Hydra Captain America?

The Hydra-themed Captain America was an alternate version of Steve Rogers that debuted during Nick Spencer's run on Captain America. This Steve Rogers was secretly a Hydra sleeper agent, and helped the evil organization get control over over the United States. Using the sentiment Cosmic Cube named Kobik, the world started being rewritten into a more fascist regime.

The real Captain America was able to rejoin the remaining heroes in taking down Hydra's Secret Empire, with Hydra Cap being taken into custody. He hadn't been seen since, but now it appears Orchis was able to break him out to serve their anti-mutant agenda.

How does the X-Men Krakoa era end?

Marvel announced more details on the end of the X-Men's Krakoa era at the Next Big Thing panel at New York Comic Con. Three series will be the focus point of the storytelling: Gerry Duggan and Lucas Werneck's Fall of the House of X, Kieron Gillen and R.B. Silva's Rise of the Powers of X, and Al Ewing and Luciano Vecchio's Resurrection of Magneto.

Fall of the House of X features Cyclops on trial and facing the death penalty as mutantkind prepares to make its last stand against Orchis; Rise of the Powers of X takes place in a future where Orchis is victorious, but Nimrod and Omega Sentinel have other plans for ascension beyond mutants and humans; and Resurrection of Magneto forces Storm to make a choice. Does she go against Magneto's wishes to bring the master of magnetism back from death? And will he survive the shock of what has happened to mutants since his death if she does?

What do you think about Marvel's big Captain Krakoa reveal? Let us know your thoughts in the comments.

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Coheed and Cambria's Claudio Sanchez Talks The Amory Wars' Finale and Future https://comicbook.com/comics/news/coheed-and-cambria-the-amory-wars-no-world-for-tomorrow-claudio-sanchez/ Wed, 15 Nov 2023 18:39:00 +0000 Jamie Lovett fd0f6467-8c17-4714-9b9d-c14474644d85

Last week, Boom Studios launched the Boom Direct Reserve crowdfunding campaign for The Amory Wars: Good Apollo, I'm Burning Star IV, Vol. II: No World for Tomorrow. The 12-issue series is the culmination of The Amory Wars, the space opera conceived by Coheed and Cambria frontman Claudio Sanchez, told first through the lyrics on most of the band's albums. Boom launched the campaign to coincide with the 20th anniversary of the release of the album Good Apollo, I'm Burning Star IV, Volume Two: No World for Tomorrow, as the comic adapts that portion of the larger The Amory Wars story, its grand finale.

Boom set an initial funding goal of $25,000 and achieved it almost instantaneously. A week later, the campaign has raised more than $750,000. In an interview over Zoom, Sanchez tells ComicBook.com that he finds the response encouraging after becoming frustrated with The Amory Wars' distribution to comic shops and bookstores.

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(Photo: Rob Kim/Getty Images for The Recording Academy)

"I feel great," Sanchez says from his home, having recently returned from Coheed and Cambria's latest round of tour dates. "It's nice to see this sort of reception in any arena. What I love about it is that it quantifies the excitement. This is something I talk about a lot is, I go into retailers all the time, and whether they're my local comic shop or a Barnes and Noble, I never see The Amory Wars. Maybe 5% of the time I might stumble upon In Keeping Secrets. For me, this sort of situation is a way to quantify that excitement to maybe educate retailers that there is an interest in this title that they might not necessarily know about. A lot of our distribution is direct to consumers. We take all our titles, whether they're related to the Coheed and Cambria arc or not, out on the road with us, and they are so welcomed in that arena that sometimes it's hard to see that excitement from anywhere else. And so, this is a way to do that and that excites me."

I joke that becoming frustrated with comic book distribution is a telltale sign that he's become as much a comic book creator as a rock star. He accepts the notion with pride.

"That makes me feel so good because, for years, I've been such a fan of the medium," he explains. "There were moments where I would get upset when I would see, this is years and years ago, a movie star decides to break into comics. I'm like, 'Oh, well, they see it as either a stream of revenue or an easy way to try to pitch a movie,' because when I started doing this 20-some-odd-years ago, the Marvel movies weren't a thing. When some of the fanbase found out that Coheed and Cambria had a concept with it and it was a comic book concept, we probably lost some fans because, at the time, some people thought comic books weren't for adults, if you will. So, to see that I'm still doing it and now to see it's become a thing, companies taking other musicians' IPs and making them, it's a little bit of a stretch, but know what I mean? I feel like I had a hand in that. But I've always respected the medium so much that I would get this distaste, and now it's become a thing that everybody's doing."

Sanchez and I spoke for a while about what it means to finally complete The Amory Wars in comics, plans for the prequel Year of the Black Rainbow, and the future of The Amory Wars with the ongoing Vaxis pentalogy. That conversation follows.

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(Photo: Boom Studios)

Do you feel like the excitement that's infusing this campaign transcends comics? Do you feel like you can point to this and be like, "Look at how excited people were for this comic. Why don't we make an animated miniseries or short film or whatever?" Do you feel like that excitement goes beyond?

I think so. At one point, the Coheed audience started this petition to adapt The Amory Wars, whether it be a live-action or an animation. Coheed -- and myself -- didn't necessarily want to back it, put the Coheed and Amory Wars machine behind it. We let it do its thing and let the audience build it, but this is an extension of that. Yes, I think it does. I think it's a way for people to see it because, like I said, I go into retail and it has no presence, absolutely none, and it's upsetting. I know the fever for the title. I've done comic conventions now for almost 20 years, probably over 20 years when I think about it. Our first comic convention, I think, was in 2003, 2004, at San Diego.

Just like the band, it's always been this grassroots, DIY mentality, and it's grown and grown and there's an excitement that continues to grow. We never stop selling the books. When we're on the road, I'm like, "At some point, these books are going to stop selling." But no, they don't because the audience grows and the interest in the concept grows.

I'm thrilled because, in a way, like I said, it kind of quantifies the excitement because in other arenas, we can't. We don't SoundScan, like a record, the books that we sell on the road. I guess you could see what we've printed and then get that number, but it's too much work. We're in a rock band.

How has the crowdfunding experience been? Seeing the success you've had here, could you see yourself returning to a crowdfunding model for other projects? Amory Wars action figures, for example, or something like that?

Possibly. It's always been a thing that's been brought up to me, and the only time it's made sense is in this moment because again, I wanted a number. I wanted something that people could see to help take the story seriously. When it was first pitched to us, it was a different situation, but as the idea evolved, it became something that wasn't the right time to do. But being that it's the 20th anniversary for this arc being the conclusion of the Coheed and Cambria portion of the story, it made sense to do this. And again, it helped me get the number that I was looking for.

But the idea that I would love to do is something that we're still toying with and potentially, maybe, we'll come back to a crowdsource situation, but we'll see. Again, this wasn't my idea, it was Boom's, and I just saw an avenue to get something else out of it.

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(Photo: No World for Tommorow's original album art.)

It's been five or six years since the first volume of Good Apollo finished. You've been living with this story for a very long time, but how long has it been since you started working on page one, panel one of the script for the No World for Tomorrow comic?

Oh, that's a great question. It's been a couple of years, my wife and I, because at the time we were also juggling the stories that accompany the new records that we're putting out that are a part of The Amory Wars story arc, the Vaxis pentalogy. There'd be moments where we would get into scripting No World, but then we'd get pulled away from that and then move into drafting the novellas that would accompany those records. And the same goes for right now. We've had all 12 issues scripted for a while, but I like to go back and refresh for continuity. And so, we've gotten halfway through the scripts and now we're at #7-12 and Vaxis III is now becoming a reality, so we're shifting over to that and outlining that story. But we've had it now for some time, I almost want to say three or four years, but at least the outline's been around for quite some time because it's always something that you're thinking about as you're piecing together the other parts.

What form is it in now? The BackerKit isn't entirely clear about the state of the art. I think Rags Morales' name appears on some of the placeholder covers and then other ones say "Artist TBA." Are you waiting to get the funding to then put the artist to work, or is it already basically done? Where's it at this point?

Before the BackerKit, we started moving into illustrations, and we got three issues deep -- pencils, inks - and they're great, but at the same time, as we were looking at it objectively, we saw an aesthetic that didn't match with what had happened previously in the book, so we had to put it to a halt. In that respect, we have three issues illustrated, but now we're going back to square one.

Right now, I think today, we choose our interior artist. But again, that's the thing, we get all of these samples and everyone is great but it just needs to be right and fit in the mold of what we've already created with the previous stories. I think we're just about there. Once that happens, illustrating will happen immediately after.

No World for Tomorrow has stood for a while as the one part of The Amory Wars without a companion, meaning no comic and no novella to tell the story. And so, fans have been interpreting what exactly the lyrics mean for the past 20 years. Does that add extra pressure to crafting this particular comic, or does it feel more like, finally, it's all going to be out there?

It is a little stressful because yeah, you want to find that happy medium where the lyrics converge with continuity of stories previously. You want to tie everything up. I think we did a good job, Chondra and I. I'm so thrilled with this story because it does have a little bit of everything for if you're a fan of The Amory Wars, and I mean from the novel of Year of the Black Rainbow. This is going to be such a payoff because there are a lot of cool surprises. There are a lot of cool things that get tied up, and there are enough questions and answers in this that I think are compelling and thrilling and it's going to make for a great end. I'm so very excited for it to come out.

We just did a cruise. Coheed now has this thing that we're doing, it's now becoming this biannual thing. This was our second year, and The Amory Wars has a big presence on it. We had characters dressed up from the story -- Gibney, Mayo, the Crowing, Wilhelm Ryan, and so on - but one of my favorite parts of the cruise was my wife had this coffee hour in the mornings. She does it twice on the cruise, and the second day they did a reading of issue one of No World for Tomorrow, and she did it with her friend Gina. I had so much fun listening to them read this comic and do the voices. It got me excited. I don't know why I just kind of went into that detour.

I will note that audio drama, and scripted podcasts, are burgeoning mediums if you're looking for somewhere else to put The Amory Wars.

Right. And my wife, she does one, and we talked about, "Maybe we should do this, maybe the two of you, and I can sit there and chime in every once in a while." Because I enjoyed it so much. Like so much so that I was supposed to be pulled away to do something, and I was like, "Can we please, I just want to watch this."

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(Photo: The Amory Wars ultimate editions releaed by Boom Studios so far: Second Stage Turbine Blade, In Keeping Secrets of Silent Earth: 3, and Good Apollo, I'm Burning Star IV)

You mentioned Year of The Black Rainbow. This story is the finale of The Amory Wars, but the BackerKit also calls it the penultimate chapter. Not to get too ahead of ourselves, but is that an indication that you want to go back and turn Year of the Black Rainbow into a comic also, even though that novel already exists?

Yeah, absolutely. I don't think I'm spoiling anything. I've said I think it needs that treatment because, ultimately, one of the ideas I've had, and maybe this goes with the original idea or the evolved idea before it became The Amory Wars 20th Anniversary Edition is in the story of The Amory Wars, there's a bible that talks about this riddle and the coming of the Crowing, which is God's hand that's there to destroy all of Heaven's fence, which is the solar system, which the story plays out on, and it's called the Ghansgraad. I would love to do something called "The Ghansgraad Edition" where we collect all the stories, one through five, Year of the Black Rainbow to No World, and do something really special. I remember as a kid, and I'm not all that religious, but my mother had this enormous Bible, and that's the thing that plays out in my head is some compartment that houses all these additions in this ornate rendition of the Ghansgraad.

That gets me wondering about Year of the Black Rainbow, which is a prequel, and then there's stuff like The Afterman, and then Vaxis is a sequel. For somebody who's trying to enjoy The Amory Wars story, do you recommend going in chronological order, or even starting as far back as The Afterman, or are you a release order person? This is a very George Lucas question, but also, is there a difference depending on if they're reading the story or listening to the albums, since the albums have the added factor of Coheed and Cambria's progression as band? What is your definitive order to experience the story?

When I started the idea in '98, it was like, "Oh, I'm a Star Wars fan." So, to me, the idea of the prequel was such an interesting thing, so I was like, "I'm going to start with Part 2, and we're going to go back and tell the origin of the characters, Coheed and Cambria." And that was a mistake [laughs] because Second Stage without the legs of Year of the Black Rainbow can be confusing. If you don't suspend disbelief, you're like, "What the hell is this?" But there's enough interesting stuff in there, clearly, that it's gathered its following that's super invested in it. As much as I find it maybe wasn't the right thing to do, there's something right about it.

I would say Second Stage, but if you could get your hands on Year of the Black Rainbow, I would say Year of the Black Rainbow is 1, and that's the fun part. I've said this in the past, but every story has some sort of numeric value to it -- "Year" being singular, that would be Part 1, Second Stage, 2, second, In Keeping Secrets of Silent Earth: 3. So there is a numeric order placed, not vaguely, but in an interesting way in the stories. If you can get your hands on Year of The Black Rainbow, I would suggest Year of the Black Rainbow, but if you're into being perplexed, I would start with Second Stage Turbine Blade.

2011 New York Comic Con - Day 4
(Photo: Sanchez at NYCC in 2011. Photo by Rob Kim/Getty Images)

Has your experience working on the comics affected your approach to how you present some of the newer music? I've noticed that the Vaxis music videos, they're visual, they're direct, they use some art from the books. Are those videos fulfilling a similar purpose to what the comics do for the previous Amory Wars albums, or is it just something cool and new for you guys to do, and maybe eventually you'll do comics for those? Is there a creative feedback cycle there?

I think when we were younger, we tried to incorporate the comics into the videos. "Devil in Jersey City" was the first time we tried to incorporate Coheed and Cambria, and it worked for that moment, but I think at the time, as a band, this was my idea, and I'm not so sure everybody else was on board at that time. It felt a little uncomfortable to try to force those sorts of elements in every output we did. I didn't want to make anyone else feel uncomfortable, and I knew that I did. But I think as time went on and the strength of The Amory Wars grew and the excitement for characters, one can only be so lucky to find an audience that finds a character in a story that they've created and bonds with that character, and that's what The Amory Wars is doing. I think at that point it's like, "Oh, well, it's not such a bad idea to incorporate this stuff in a visual way with the music."

It's fun. There are moments where it is literally a representation of what happened in the story, but then there are some moments that aren't, like for example, "Old Flames" was really kind of a play on the characters and me being the creator and a part of their crew. There are little ways to play in the sandbox, but also you're not totally pushing it where we're trying to make the full-on adaptation in this three to four-minute exercise, if that makes any sense.

You talked about how you'd bounce back and forth between scripting No World for Tomorrow and making the story for Vaxis. Is it tricky trying to go back and forth between working on this story that you conceived of 20 years ago and then coming back to this new story that you're working on? Is there a challenge in that or is it pretty easy to keep the two separated?

It's challenging, but I love it because it helps remind myself, and my wife, of things that we can then connect, try to be cognizant of the thread. We're not sharing these moments with characters from the Coheed Amory Wars, in the atmosphere, maybe there's a way to do that. You're reminded of these things, and I think it's fun.

I think I had said in a little interview that I did for Boom that what makes No World so exciting to see now come out is its connection to subsequent stories like Vaxis III and the first story, Year of the Black Rainbow, as well as the connection to The Afterman because the last record has that Incredible Hulk #180 ending, where you have the Wolverine silhouette in the doorway, but this is the Afterman making an appearance at the end of Vaxis II in a very Wolverine fashion -- though not a silhouette, you see him but it feels like that to me. All these stories are now going to make so much sense when they come out once No World starts and Vaxis III happens, and with the idea of adapting Year of the Black Rainbow, everything is going to connect so much more than it's ever before. That's thrilling to me because it's going to be a domino effect of "this is all making so much sense to me" and I can't wait to see how it ends with Vaxis IV and V.

I'd be remiss if I let you go without asking, generally, what's next for Coheed? I know you said you're working on Vaxis III. What should fans be looking forward to next?

Vaxis III is very much percolating as well and next year we'll probably do some preliminary touring that'll lead to a release. I'm not sure exactly when that release is, because there still is a lot of work to do in terms of recording it and illustrating the novella. We've started down those paths, but they take some time, as well as writing the novella, of course. Things are going to happen hopefully in the next year or so.

The Amory Wars: No World for Tomorrow crowdfunding campaign continues on BackerKit through the month of November. This interview has been edited for clarity and length.

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Teenage Mutant Ninja Turtles Dark Leonardo Exclusive Funko Pop Is On Sale Now https://comicbook.com/comics/news/teenage-mutant-ninja-turtles-dark-leonardo/ Wed, 15 Nov 2023 17:03:00 +0000 Sean Fallon df0fdfaa-3ca8-41ad-967f-e6b5370b9992 497f99b7912d46ee90f75cc34c049e6fxl.jpg

Even if you aren't familiar with Dark Leonardo, you have to admit that this new Previews Exclusive Teenage Mutant Ninja Turtles Funko Pop looks pretty fantastic. It's based on the IDW comics, specifically the City Fall arc from Kevin Eastman and Tom Waltz that saw Leonardo become a villain when he was brainwashed by the Foot Clan.

The Teenage Mutant Ninja Turtles Dark Leonardo PX Exclusive Funko Pop is available to pre-order here at Entertainment Earth while it lasts. You can keep tabs on more Funko Wednesdays drops right here, and details on another recent PX Exclusive Funko Pop from the TMNT comics can be found below.

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IDW's Teenage Mutant Ninja Turtles: The Last Ronin miniseries was a massive hit when it launched in comic shops in 2020. This dark take on the Turtles from TMNT creators Kevin Eastman and Peter Laird with Tom Waltz and Andy Kuhn has was followed by the launch of Teenage Mutant Ninja Turtles: The Last Ronin - Lost Years this past January. There's also the potential for a video game adaptation in the near future. And let's not forget about all of the collectible items out there, including this Previews Exclusive Funko Pop.

The Last Ronin Funko Pop features the lone ninja warrior with his sai and katana. It sold out in its limited run, but you can still order one here on Amazon via a 3rd party.

"The foundation and evolution of the story that would become The Last Ronin took 30 years to naturally and organically arrive at the proper place to be told. That time is now," Eastman said when the series was first announced. "Buckle up, TMNT fans -- it's going to be one hell of a ride."

"As much as The Last Ronin is a love letter to past TMNT iterations -- from Mirage to IDW, and everything in between -- it's also a love letter to the millions of folks who continue to cherish this ageless property in all its diverse forms and renditions," Tom Waltz, who partnered with Eastman on the story and script, said at the time. "At its core, TMNT is always about family first... both in the fictional stories being told and the real-life engagement between the creators and the amazing fans who support them. The Last Ronin is no exception."

Teenage Mutant Ninja Turtles: The Last Ronin takes place in a future New York City far different from the one we know today, where a lone surviving Turtle goes on a seemingly hopeless mission to obtain justice for his fallen family and friends. An epic five-part miniseries, The Last Ronin is based on an unpublished 1987 story concept by Eastman and Laird, with script by Waltz, layouts by Eastman, pencils and inks by Esau and Isaac Escorza, colors by Luis Antonio Delgado, letters by Shawn Lee, and edits by Bobby Curnow. You can grab the series in hardcover here on Amazon.

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DC Reveals First Look at 2024 Black History Month Variant Covers https://comicbook.com/comics/news/dc-first-look-2024-black-history-month-variant-covers/ Wed, 15 Nov 2023 17:00:00 +0000 Jenna Anderson a1946f7b-2e36-4171-83d7-7864ce23f259
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Comic Book Reviews for This Week: 11/15/2023 https://comicbook.com/comics/news/new-comic-reviews-dc-marvel-image-november-15-2023/ Wed, 15 Nov 2023 16:00:00 +0000 Chase Magnett 91ac7d9d-469d-497e-8079-1bacea33eeac
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Welcome to this week in comic book reviews! The staff have come together to read and review nearly everything that released today. It isn't totally comprehensive, but it includes just about everything from DC and Marvel with the important books from the likes of Image, Boom, IDW, Dark Horse, Dynamite, and more.

The review blurbs you'll find contained herein are typically supplemented in part by longform individual reviews for significant issues. This week that includes Outsiders #1, Superior Spider-Man #1, and The Deviant #1.

Also, in case you were curious, our ratings are simple: we give a whole or half number out of five; that's it! If you'd like to check out our previous reviews, they are all available here.

The Pull List

The Pull List is back on Comicbook.com, bringing you reviews of all this week's hottest upcoming comic books to see if they deserve a slot in your pull box. This week, we look at the sadly underwhelming return of Superior Spider-Man...break down a haunting chapter of The Deviant, and even talk Outsiders and Green Lantern as we look at all the top Comic Book releases for November 15th, 2023.

So just where does this new Superior Spider-Man fail when compared to the original series...and can anything be done to fix it before the comic series ends? And are the latest offerings from the Outsiders and Green Lantern just the thing DC Comics needs to get back on track?

Find out as we bring you reviews of all the week's hottest comic books on the Pull List!

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DC #1

BATMAN AND ROBIN #3

Batman and Robin #3 is an interesting case of a lot going on but nothing happening. As we head into the issue, Batman and Robin are trying to save White Rabbit from the Terrible Trio, but beyond that, there really is no story. It's an issue of just action after action with the pages full of characters merely chasing one another around with some occasionally overly quippy dialogue. The only thing to really come from the issue is we learn that Shush isn't working with Hush that somehow weakens the character as a villain here because now what's the point? Everything about this issue just screams busy work and while not unpleasant, it doesn't really serve any purpose and even the art isn't especially strong or organized, either. -- Nicole Drum

Rating: 2 out of 5

DANGER STREET #11

There's an audaciousness surrounding Danger Street #11 as it sets the stage for the series' climax. It shifts in tone from grandiose sturm und drang to the banal shocks of a Tarantino crime flick, and makes all of it work. As all of the surviving cast members converge on the Dingbats and Lady Cop's hometown they collide with effects ranging from the tragic to hilarious. Even as the narrative centers upon a recently dead child, there's an obvious humor to it all as Danger Street #11 makes clear that this series is a love letter and consideration of lesser figures in the DC Comics canon (and within culture, more broadly). It runs in the same vein as Doctor Thirteen and delivers a striking penultimate chapter by blending genuine pathos for these strange figures and self-effacing charms at the obvious madness of this ensemble. There is one particular spread that captures the heart of this series so well and is all the funnier for the corpses at its center. Even the narration transforming cringey subtext into text functions as the ironic effects of its statements are made consistently obvious. Danger Street #11 is terrific fun and sets a high bar for whatever finale follows this issue's excellent cliffhanger. -- Chase Magnett

Rating: 4.5 out of 5

DETECTIVE COMICS #1077

Catwoman and Gordon have gathered up a crew to rescue Batman from the Orgham family, and it conveniently ties together several of the side characters and ambiguous enemies Batman's run across during this extended arc. Jason Shawn Alexander's grittier art style is a good fit for this particular arc although there's a tonal dissonance between the gothic and strange horror of the previous arc and the more grounded "heist" theme of the current arc. While it's a natural continuation of the storyline, it still feels like a jarring change, although that might be the point of the shift given how off-putting and off-balance the previous arc was. -- Christian Hoffer

Rating: 3.5 out of 5

GREEN LANTERN #5

Green Lantern #5 impressively captures so many of the elements that make Green Lantern so wonderfully unique, creating one of the best issues of the series so far. With the age old rivalry between Hal Jordan and Sinestro as the foundation, writer Jeremy Adams builds new elements around Hal and Sinestro that should continue to push them forward, both as characters and as difference makers within the superhero realm. Arist Xermanico, colorist Romulo Fajardo Jr., and letterer Dave Sharpe delver some top tier ring-slinging as well, with praise deserved for the creativity behind the constructs themselves and the scenarios in which they are used. Those sequences are beautiful to behold, and that last page sets up one hell of a showdown. Green Lantern #5 sets a high bar moving forward, and I couldn't recommend it more. -- Matthew Aguilar

Rating: 5 out of 5

OUTSIDERS #1

[READ THE FULL REVIEW HERE]

Since the team's creation in the 1980s, The Outsiders have been a home for the overlooked and underestimated personalities at DC Comics. With this week's Outsiders #1, that mentality is taken into a new dichotomy, blending the grounded with the outrageous to a sufficiently successful capacity. While some stylistic choices and a lack of clarity get in the way of the comic's perfection, the promise of Kate Kane and Luke Fox's grand adventure is just enough to make this series promising. -- Jenna Anderson

Rating: 3.5 out of 5

SPEED FORCE #1

It isn't always a guarantee that spinning off two characters from a larger superhero family is going to work, but Speed Force carves out a fascinating and fun path all its own. Wallace and Avery's superhero partnership zigzags in some unexpected ways, and although the younger slang and other elements in Jarrett Williams' script might not hit for every reader, they're incredibly fitting for the two characters at hand, and set up an intriguing concept in the issue's final pages. Daniele Di Nicouolo's art brings an intentionally-chaotic, anime-inspired flavor that fits incredibly well as well. Overall, Speed Force shows great promise. -- Jenna Anderson

Rating: 4 out of 5

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DC #2

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(Photo: DC)

SUPERMAN: LOST #8

There are striking moments in Superman: Lost #8 portraying memorable characterizations and colorful superhero tropes, but there are also many that land dully on the page and more than a few transitions that fail to make themselves apparent. It's a blender of ideas that balances toward the inventive and entertaining, but the duds are self-evident and create a cliffhanger where suspense is likely to be found humorous. The late inclusion and posturing of Lex Luthor has created a distraction that fails to cohere with much of Superman: Lost and as a result issue #8 winds up being as recommendable as tie-in to Priest's outstanding Black Adam as its own story. There's familiar posturing in the layouts so that even with so much action and enjoyable team ups, the lack of invention is apparent. Walking into the final two issues of Superman: Lost, issue #8 makes it apparent that they'll provide readers plenty to talk about at the comic book store. -- Chase Magnett

Rating: 3 out of 5

THE VIGIL #6

The Vigil #6 runs on spy genre cliches and positions a "just as I planned it" reversal that serves to deliver almost the entire climactic conflict with narration explaining events in corresponding panels. It's a poor form of comics writing that makes for an often tedious read. There are some interesting ideas and great bits of humor, but the plot of the issue combined with artwork that primarily serves to get the point across drags down the better qualities. Despite the middling to mediocre qualities of this final issue, The Vigil leaves behind an idiosyncratic team staged to feature within old Wildstorm's increasing influence in current DC Comics. Their strained dynamics and odd personalities will be very welcome. -- Chase Magnett

Rating: 2 out of 5

WESLEY DODDS: THE SANDMAN #2

Readers of the cult favorite Sandman Mystery Theater will appreciate the tone of Wesley Dodds: The Sandman #2 as it lays out and slowly puzzles over a clear mystery with a mysterious villain over plenty of low key drama and fine 40s fashion. Wesley's methodical approach to life might make him appear cold to observers but makes for an excellent narrator who lays out the questions in an inviting fashion for mystery fans. His investigation provides both new clues and a brawling action sequence that is both exciting and fundamentally human in its mechanics. Wesley may be a martial artist, but in the most honest fashion of that term readers will find in superhero comics. He is far from an obvious victor when stumbling across common crooks and suffers for his mistakes; it makes for a much more exciting action sequence as the consequences are clear. Rossmo's portrayal of this and other superhero-adjacent elements provides them with plenty of flourish while maintaining a consistent sense of weight amidst both combat and more mundane sequences. Wesley Dodds: The Sandman offers itself as an excellent pulp detective fiction with an irresistibly modern style in what threatens to be a spiritual successor for one of Vertigo's best overlooked series. -- Chase Magnett

Rating: 4 out of 5

WILDC.A.T.S #12

WildC.A.T.s's final issue in this new series in the DCU plays on both the strengths and the weaknesses of the comic to date. At the end of the day, WildC.A.T.s suffered from trying to inject too much, too quickly into its proceedings. When the series focused on individual characters like Grifter, it was able to shine, but it would often get bogged down in the sheer glut of Wildstorm characters populating its pages. Such is the case with this series finale. It's quite clear that Matthew Rosenberg has a love for the Wildstorm universe, and was attempting to create an epic scale story for their inclusion in the DCU, but too many spinning plates will crash to the floor. WildC.A.T.s isn't a bad comic book, it's just one that is specifically made for fans of Wildstorm and might not have as much to offer to those who are unfamiliar with the comic universe. -- Evan Valentine

Rating: 3 out of 5

WORLD'S FINEST: TEEN TITANS #5

Sometimes it can difficult to think of new ways to sing the praises of DC's World's Finest series, but World's Finest: Teen Titans can often make it easy with its dynamic storytelling and fresh ideas. Waid and Lupacchino are able to masterfully re-tell the earlier days of the Teen Titans, injecting some ingenious new characterization for classic characters. What makes World's Finest work so well is that all the characters feel "right" and the conflic arises organically. I've said it before and I'll say it again, World's Finest is a superhero comic book fan's dream come true and you're doing yourself a disservice if you're not checking out at least one entry under Waid's umbrella. The final page isn't a surprise for those who are big Teen Titans fans for example, but it feels like one thanks to the inventive new approach. Buy this comic book. -- Evan Valentine

Rating: 4.5 out of 5

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Marvel #1

ALIEN #1

Alien's new path is accessible enough for newer fans of the franchise, but still possesses a unique relationship to what came before it. Declan Shalvey's script provides enough emotional tension and moments of macabre brevity, while also laying the groundwork for a new fight against the Xenomorphs. Andrea Broccardo's art works well with the titular aliens, but is slightly inconsistent with regards to the humans, but not enough to be inherently distracting. I might not love everything about this new Alien, but I like a lot of it. -- Jenna Anderson

Rating: 3.5 out of 5

ALPHA FLIGHT #4

Alpha Flight #4 if solid and very straight forward as it brings together the threads that previous issues have been rolling out and makes the stakes higher than ever as Krakoa North is found by the Box Sentinels in the final pages, bringing everything to a head. The pacing is strong, the storytelling is solid, and while there are things that do feel a little like caricature with Department H, there are real stakes for the characters and and investment in how things are going to play out. A strong comic, overall. -- Nicole Drum

Rating: 3.5 out of 5

ASTONISHING ICEMAN #4

As a longtime fan of Spider-Man and his Amazing Friends, I will support any opportunity to get any combination of the band back together, and that fact alone rocketed Astonishing Iceman #4 to the top of my reading list. As expected, the reunion of Iceman and Spider-Man was a delight (as was the addition of Chantal), though we could do with a few less puns. Writer Steve Orlando is clearly having a grand time with Spider-Man in the mix, and his exchanges with Iceman later in the issue are some of the book's best moments. We rarely get to see these two characters get into more vulnerable topics, and it's easy to just stay on the surface and litter their battles with puns. There's plenty of that mind you, and some of them unfortunately fall flat, but Spider-Man's interactions with Chantal rarely do, and I grew to love their dynamic. Meanwhile Vincenzo Carratu, colorists Java Tartaglia and Chris Sotomayor, and letterer Travis Latham make for a brilliant team on Bobby Drake, as his ice slides, ice drones, and fight scenes overall consistently steal the show. The villain storyline woven between everything isn't as compelling as Iceman's own story, and there's a lengthy block of text in the form of a letter that slowed everything to a crawl, but those are relatively small issues that don't bring down all the things that clearly work. Hopefully we get more teacups down the line, but even if this is the only one, it's one I truly enjoyed. -- Matthew Aguilar

Rating: 4 out of 5

BLACK PANTHER #6

At least 75% of this issue is spent giving an origin to the new series villain. That can be frustrating and tedious of not done well, but Ewing is more than up to the task. This character's journey is layered, engaging, and gives even more weight to the rich history of Wakanda. -- Charlie Ridgely

Rating: 4 out of 5

BLADE #5

Fallout from the disastrous mission in Blade #4 is quickly dispatched as Blade rushes headlong into further bad choices and his supporting cast is relegated to the sideline. It's an unfortunate shift in focus as the new supernatural talents and arms dealers surrounding Marvel's best known vampire hunter have been a genuine highlight in this series. Instead, there's a quick reframing of the threat posed by Adana that makes Blade appear unsympathetically foolish and minimizes the value of Doctor Strange as a guest star. There's a lot of spectacle, but much of it seems unearned in an adventure that only spans a few issues and chronological days. While this quick turn of events serves to provide a very enticing cliffhanger, the continually rushed pacing of Blade detracts from the series' obvious potential. -- Chase Magnett

Rating: 3 out of 5

CAPWOLF & THE HOWLING COMMANDOS #2

Though the first issue in this mini-series pushed the "Wolf" part of Capwolf & The Howling Commandos to the back, the spookiness takes the spotlight in this sophomore outing. Capwolf #2 reads like an epic creature feature with plenty of gothic-tinged pages throughout. Complete with monster hunting spies and more monsters than you can count, Capwolf & The Howling Commandos is much more thrilling than its predecessor. -- Adam Barnhardt

Rating: 4 out of 5

CHILDREN OF THE VAULT #4

Children of the Vault provides one of the few notable victories in the "Fall of X" line as the buddy cop duo of Cable and Bishop deliver big sci-fi solutions to this tech-heavy brand of false saviors. The staging for this particular underdog victory pays off various points of interest from across the miniseries and offers a new framing for the "big gun" trope tied to both of the protagonists. It's an excellent sci-fi twist that leads to a denouement that clarifies the Children's role as antagonists in this moment within the messy mutant metaphor. Fixing this entire globe-spanning and -altering adventure within such a tight timeframe leaves it somewhat disconnected from surrounding events as entire cities melting away amidst human devastation is ignored, but they may also be a neat element of commentary within this excellent miniseries' framework. -- Chase Magnett

Rating: 4 out of 5

DAREDEVIL #3

While it's always great to see Daredevil mowing his way through hordes of street thugs, Daredevil #3 once again makes it clear that the change in status quo and Matt's shift to becoming a priest and caretaker is little more than window-dressing. He's right back to having to balance his personal life with his vigilante mission, with one clearly taking its toll on the other. A familiar face pops back up at the end that all but guarantees some in the near future, but it also feels like the book is taking its sweet time getting back to that demon idea first introduced in the new #1 issue. -- Connor Casey

Rating: 3 out of 5

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Marvel #2

DARK X-MEN #4

Dark X-Men #4 starts on a strange foot. Gambit touches base with his wife Rogue, who hasn't appeared previously in the series, seemingly as a reason for him to recap the series thus far. Given this is the penultimate installment of a five-issue series, that hardly seems necessary. Once that's out of the way, Steve Foxe, Jonas Scharf, and Frank Martin kick things into a higher gear with a mercilessness typically reserved for horror stories rather than superheroes. It suits the subject matter - we are dealing with demons here - and the final page earns the stygian atmosphere. There's a nice beat here with Chasm, a.k.a. Ben Reilly, Peter Parker's clone who went villain after some clone stuff happened (again). Chasm rejecting Orchis' rescue outright is a nice touch, making him a slightly more complex character than he might otherwise be given how vengeful he is now. He may yet ally with Orchis to get payback against the specific mutants he hates (the rest of them are fine), but it's an important bit of nuance to put to paper if this character is ever to be redeemed in the future. -- Jamie Lovett

Rating: 3 out of 5

DEADPOOL: SEVEN SLAUGHTERS #1

An over-sized issue with multiple short stories seems like the exact kind of format that would behoove Deapdool, but Marvel's Deadpool: Seven Slaughters is a tiresome exercise with nearly 70 pages of mostly unambitious and uninteresting stories. Though the roster of creators all have an extensive history with the character, only a few even manage to leave a remotely interesting mark at all. Cullen Bunn and Phillip Sevy's opening storyline is clearly the best, playing with the format and multiverse shenanigans in a fun way; even Rob Liefeld's short story is a highlight (no, really) compared to the stale stories that make up the rest of it. -- Spencer Perry

Rating: 2 out of 5

FANTASTIC FOUR #13

The two-part story featuring a Dinosaur-themed vision of Marvel superheroes is a roaring good success and the best entry in the current Fantastic Four run by far. Fantastic Four #13 returns the perspective to Earth as The Thing finds his human Avengers battling the dinosaur FF just as two Dooms encounter one another. The new mix of characters and problems provides plenty of new challenges, which are addressed with the cleverness that has defined Ryan North's scripts from page one. What's surprising in this adventure is how much the spotlight rests on The Thing and to excellent effect. Every member of the team has a relationship with Doom after so many decades of arch-villainy and The Thing's is perhaps the most comical. It plays to outstanding effect in these dinosaur comics. Fantastic Four #12 and #13 serve as a model for this incarnation's potential with an abundance of colorful ideas reflecting challenges that require more than bombastic battles and a strong focus on familial relationships - if only Thing's head didn't appear like a volleyball unattached to his tose. I'm already anticipating re-reading this particular adventure, though. -- Chase Magnett

Rating: 4 out of 5

GHOST RIDER #20

Ghost Rider #20 is a comic issue that you'll think about for a long, long time. Maybe not because of it's quality--it's perfectly fine, at that--but because it includes one of the most original and insane plot threads Marvel has ever released. Unfortunately for the flashback to Talia's past, the current timeline story takes center stage as it demands your attention, leaving any origins to simmer on the back burner. Things get real weird, real fast in Ghost Rider #20 and quite frankly, it might be one of the most demented things we've seen in comics in a long time and that's a good thing. -- Adam Barnhardt

Rating: 4 out of 5

THE IMMORTAL THOR #4

If there's an award to be given out for the best first page of a comic book in the year 2023 then I'd like to nominate the opening splash of Immortal Thor #4. Al Ewing wreathes Martin Coccolo's depiction of Toranos, the vengeful god of the storm, hurtling toward earth with captions, each one a beat with the repeated phrase "he is coming" embedded within. While you sleep and while you work, an election year and denialism be damned, "he is coming" to make the storms worsen and the oceans rise. It's a poetic chant heralding climate change's avatar and a scene that honors and homages Jack Kirby in a way that goes far beyond the surface-level artistic pastiches that often seek to channel the King's style but not his spirit. But Ewing and Coccolo are not one-page wonders. The assemblage of Marvel's new Thor corps is an exciting sequence to behold, as the differences between Thor and his allies are put plain with a playfulness and humor that stands in joyful defiance of the serious threat they face. It's a full realization of the smiling Thor facing a threat far greater than himself that Ewing wanted to return to from Immortal Thor's first issue, and that threat's scale is once again driven home by the use of a two-page spread to convey the fullness of the Utgard-Thor's stature. Cap that all off with a brilliant, borderline subversive reintroduction of one of Marvel's best modern villains, who has gone somewhat forgotten in recent years, and Immortal Thor #4 is as close to a perfect superhero comic as I've seen in some time. -- Jamie Lovett

Rating: 5 out of 5

JEAN GREY #4

Few characters in the X-Men mythology are as nuanced or complex as Jean Grey, and that couldn't be more evident in Jean Grey #4. The final issue of Louise Simonson, Bernard Chang, Marcelo Maiolo, and Ariana Maher's series reframes the confronting of Jean's past traumas in previous issues in a way that solidifies the character's sense of calm and confidence that she's captured in the Krakow era, while also creating the space for genuinely healing moments. The issue wouldn't work without reframing those past events, but when that clicks, it really brought everything together in a truly satisfying way, and the teases of the future for Jean and the X-Men as a whole provides a welcome hopeful flicker for both. Chang and Maiolo deliver stunning work throughout the issue, though the sequences involving the Phoenix absolutely steal the show. While the beginning of the issue could have sped things up a bit, it's a small complaint for an otherwise stellar finale, and I'm eager to see what's next for all involved. -- Matthew Aguilar

Rating: 4 out of 5

RED GOBLIN #10

Red Goblin goes back to where it all began for its conclusion, delivering a satisfying full circle moment for the series leads. Writer Alex Paknadel waited to bring back Dylan, and the patience paid off, as the Normie Dylan first gave Rascal to is very much not the Normie Dylan is meeting now. The complicated and difficult lives the two characters have experienced lends the duo's conversations a legitimacy and welcome genuineness that feels earned, even if they haven't shared much screen time in the series overall. There is some awkwardness to some of their exchanges due to the odd proportions, but elsewhere artist Chris Campana, colorist David Curiel, and inker Roberto Poggi deliver several high octane action sequences that also further Normie and Rascal's growth as individual entities and as a team. Red Goblin has been one of 2023's most pleasant surprises, and I'm happy to report it also nailed the landing. -- Matthew Aguilar

Rating: 4.5 out of 5

SILVER SURFER REBIRTH: LEGACY #3

These big galactic sagas always end up getting incredibly busy with characters like the Silver Surfer, Thanos, and Galactus popping up whenever possible. It brings an unfortunate sameness to many of the tales. Rebirth at least has the benefit of the dueling Surfers, which adds a fun element, but it still has a tendency to fall into that frustrating familiarity. -- Charlie Ridgely

Rating: 2.5 out of 5

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Marvel #3

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(Photo: Marvel Comics)

SPINE-TINGLING SPIDER-MAN #2

Spine-Tingling Spider-Man's debut was an unexpected delight, with writer Saladin Ahmed kicking things off with Juan Ferreyra's stunning twist on classic Spidey and then twisting that classic scenario into the frightening landscape that Peter is now desperately trying to escape. That shift isn't really present in Spine-Tingling Spider-Man #2, as things just go from bad to worse as Peter makes his way through this haunting and mysterious world. The questions continue to mount and the stakes continue to rise, and the sense of isolation permeates the book as things move along. One of the biggest shocks happens relatively early on, shaking up your perception of what can happen as Peter moves forward. The end does seem to move into predictable territory, though the journey there is far from typical, so hopefully more twists are coming in issue #3. If the series can continue to subvert expectations, Spine-Tingling Spider-Man will thrive, so while I enjoyed the debut more, the series is still on the right track. -- Matthew Aguilar

Rating: 3 out of 5

STAR WARS: DARK DROIDS #4

Focusing largely on the scourge itself, we kind of sort of start to get some glimpses of insight not only into what the whole plan is, but also the futility of such a plan, as the droid grapples with itself and its various components and questions what this whole endeavor is for. In a sense, this issue feels like a surrogate for the audience, wondering why any of this is happening, why now, and the pointlessness of it all. To a degree, even the scourge itself seems to think all of its actions are meaningless in the grand scheme of things, so for the book itself to be self-reflexive, we appreciate that we're not alone in questioning what the hell has been going on in Star Wars comics these last few months. This installment is both existential and expositional, though also marks some of the closest steps we've come to learning why this crossover event is happening in the first place. As the Dark Droids event starts to wind down, we're crossing our fingers that it has a satisfying payoff, but it seems even the creatives might be doubting their own convictions, even if the event has been offering glimmers of delight. -- Patrick Cavanaugh

Rating: 3 out of 5

STAR WARS: DOCTOR APHRA #38

With Magna Tolvan infested by the scourge, Aphra seeks allies to sever her cybernetic connection to the invading presence. As Aphra aims to enlist more help in her cause, however, the scourge itself is also spreading its power even further, though Aphra's history with cybernetics could prove to be the key to unlocking the entire saga unfolding in the crossover event. This issue marks what feels like the first official tease in the whole Dark Droids event that could shed insight into what the point of the experience is, other than an ancient entity wanting to make the jump from a mechanical body into living flesh. Aphra, her specific traits, and the nature of her series feel like the crux of the entire storyline, and while we have yet to see how the entire experience pans out, this latest issue helps solidify just how significant this series is within the major crossover event and helping establish Aphra and her supporting characters as integral components of the galaxy far, far away. -- Patrick Cavanaugh

Rating: 4 out of 5

STAR WARS: THE MANDALORIAN SEASON 2 #6

In hopes of locating other Jedi to train Grogu, Din Djarin takes his companion to a sacred location, only to encounter Boba Fett, Fennec Shand, and a squad of stormtroopers. Luckily, Fett and Shand strike a bargain with Djarin, igniting an intense showdown against the former Imperials. This episode of the series was an action-packed experience that brought lots of delight to fans, thanks in no small part to seeing Boba Fett back in action for the first time in decades. This installment of the adaptation shows more than it tells, though it still manages to capture the explosive energy of the episode in an entirely fulfilling way. Given that the script and story for this Season 2 adaptation has been largely true to the source material, the most engaging elements of the book are the ways in which the visual action is replicated, with Steven Cummings' illustrations fully making good on those expectations. The action is frenzied, kinetic, and entirely satisfying. -- Patrick Cavanaugh

Rating: 4 out of 5

STAR WARS: VISIONS - PEACH MOMOKO #1

In the absence of the Sith, a new threat has emerged that aims to fill that void, leaving a small group of allies to set their sights on stopping this new cult from picking up where the Sith left off. Creator Peach Momoko's work in Star Wars comics, albeit brief, has been unparalleled by any other creator in the galaxy far, far away. Her artwork specifically is ambitious, surreal, bizarre, and gorgeous all at once, and this installment of Visions is no different. Her imagery is ethereal in a way that captures the more mystical elements of the franchise without being straightforward in her interpretations of the iconic lore, making for a rich visual feast. Given that the book is devoid of dialogue, the art needs to compensate and Momoko once again delivers an entirely unique vision of this galaxy. The only thing holding back this book is that the actual narrative tissue can waver and make for a less-than-literal experience for readers, as Momoko relies entirely on visual storytelling, which also happens to be highly conceptual as opposed to literal. It's easy to pick up on the bare bones of the narrative, but for audiences looking for a more straightforward or obvious experience, this chapter of Visions will leave you wanting, but for a purely visual level, Momoko stuns with her work once again. -- Patrick Cavanaugh

Rating: 4 out of 5

SUPERIOR SPIDER-MAN #1

[READ THE FULL REVIEW HERE]

Superior Spider-Man #1 simply doesn't move the needle any measurable amount. It refuses to inject new life into the concept, and so it simply exists. It doesn't want to stand out, nor does it lay the groundwork for an interesting story ahead. Instead, Superior Spider-Man #1 feels like a story crafted out of the desire to sell to those looking for the long-since-misremembered thrills of nostalgia, only it doesn't even manage that much. It just is, and that may be the biggest mistake it could have made. -- Adam Barnhardt

Rating: 2 out of 5

UNCANNY AVENGERS #4

Uncanny Avengers is a weird one. Though issue #4 is a marked improvement over the previous one due to both its fun action beats and the economics of its storytelling. Series artist Javier Garr?n and colorist Morry Hollowell get the chance to really shine here with a series of pages at the end that are full of life and capture the essence of the characters physically that might be the best spreads of the series. Writer Gerry Duggan plays his hand here as well with a major reveal that will have Marvel fans reeling. Time will tell if it's a storytelling choice that works or not because right now it's just baffling. -- Spencer Perry

Rating: 3.5 out of 5

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Other Publishers #1

ARCADE KINGS #5

Arcade Kings was brilliant from its first punch to its last. Arcade Kings #5 once again delivers all the melodrama of pro wrestling and anime mixed with the visuals and visceral action of classic arcade fighting games. It's only true downside is that its story was forced to squeeze into a mere five issues - you can absolutely see where this could've fit into a 12-issue run or an ongoing. There's a tease at the finale for a sequel series, and if there's any justice in this world we'll get one down the road. -- Connor Casey

Rating: 5 out of 5

CODA #3

Compared to the two previous books in the series, Coda #3 is a bit messy and has some structural weaknesses that make it difficult to follow as there are multiple things happening at once, though none of them are particularly clearly laid out. You have the issues with the religious group that Hum is dealing with, Serka's own issues stemming from her recent adventures, and then the personal things between them with Serka being pregnant. There are some excellent themes and issues at play here: manipulation of the believers and how even breaking the manipulation to reveal genuine hardship may not be enough to shake true faith, but navigating the various elements of the story is just enough of a challenge that it requires perhaps a little more effort than one might be willing to devote to help sort it out and keep it all straight, especially when there feels like some strange stops and starts in different spots of the story. The art in the issue all also has a very uniform feel, color-wise which doesn't help much in terms of differentiation. -- Nicole Drum

Rating: 3 out of 5

THE CULL #4

It'll be interesting to see how The Cull wraps its saga up in the fifth issue, because The Cull #4 feels less like a penultimate issue and more like the beginning of the story. The protagonists coming home to an invaded world is the most interesting idea the series has introduced to this point and it's a shame there isn't going to be a lot of time to sit with that. -- Charlie Ridgely

Rating: 3.5 out of 5

THE DEVIANT #1

[READ THE FULL REVIEW HERE]

The Deviant #1 satisfies on multiple fronts. If you're just looking for a murder story set at Christmastime, the comic book delivers that ten times over. It's an excellent read for a cold, dark night. But if you're willing to get a little uncomfortable and allow The Deviant to tell you something about the world you don't already know, it becomes something truly special. -- Charlie Ridgely

Rating: 4.5 out of 5

DUNE: HOUSE HARKONNEN #11

The penultimate chapter of Dune: House Harkonnen reminds readers exactly what this adaptation and its source material are - unnecessary prologue for a much better narrative. Every twist in the miniseries' climax leads to a moment in which readers are reminded of vocabulary from Dune, whether it's Rabban claiming his nickname or the tragic backstory of a hardly referenced school. All of these elements are certainly recognizable for readers, but they add little to nothing in the form of understanding or sympathy. What's more is that it's necessary for readers to possess that outside knowledge for many of these climactic sequences to resonate. The weakness of the source material is only exacerbated by its condensed and often rushed nature when shoved into 20-page installments of comics that provide too little space to wonder at visual elements related to so much plot. Dune: House Harkonnen #11's best promise is that only one issue remains. -- Chase Magnett

Rating: 1.5 out of 5

DUNGEONS & DRAGONS: FORTUNE FINDER #1

Fortune Finder #1 is a new Planescape tie-in that serves to introduce Sigil to readers. This is a fun introduction to the famous City of Doors and captures the weird energy of the original Planescape campaign setting through the eyes of an amnesiac adventurer who literally knows nothing about himself besides his name. Very glad that Jim Zub is continuing to explore the worlds of Dungeons & Dragons because he's one of the best at capturing the timeless energy of the game's many worlds. -- Christian Hoffer

Rating: 4 out of 5

DUTCH #0

Dutch #0 feels like the "Old Man Logan" equivalent to so many of the comics that flooded Image throughout the 90s. Over-the-top machines of death and destruction, guns that would snap a man's shoulder after firing a single shot and endless black-op, top secret teams with names that produce an eye roll as a reflex. There's a bit too much "old man yells at cloud" tone in the narration and the artwork is far too busy at times to discern what's going on, but the book has a self-awareness and a kind of visceral intensity so many of the Young Blood-esque books were missing back in the day. That's just enough to get me to want to pick up the #1 issue when it drops next year. -- Connor Casey

Rating: 3 out of 5

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Other Publishers #2

EARTHDIVERS #12

I feel like there's a lot going on in each issue of Earthdivers. Not only do you have the time travel plots to keep up with, but there's also characters disappearing and then reappearing out of the sky, for example. Meanwhile, history is still being changed, which is probably what's causing all of the chaos our protagonists are dealing with. The plot would work better if we spent more time either in the past or the future, really getting to know the characters in each period. -- Tim Adams

Rating: 2 out of 5

FISHFLIES #3

Fishflies may be a six-issue miniseries, but it almost felt as if Fishflies #3 was intended to be an ending. The nagging discomfort of the world Jeff Lemire has created never ceases, whether it be a scene of a police officer interrogating a drunken, abusive father or when that same officer calls home to his loving wife. Everything from the dialogue to the misshapen characters never lets you shake the sensation that something is horribly wrong in this small town. And yet, within that stomach-churning malaise, is an almost dreamlike quality. So when the issue ends on the closest thing this book can offer to a happy ending, it actually works. -- Connor Casey

Rating: 4 out of 5

THE FORGED #6

Five assassins target members of the Forged team in an issue that delivers outstanding action in combination with plenty of evolving subterfuge and character dynamics. The most impressive sequences in the issue come early as five sequences play out in nearly simultaneous fashion with each member of the team facing a distinct challenge. It's an interesting change of pace with the soldiers stripped of their mechs and other gear, and it affirms the fearsome reputation of the Forged in this setting. It also serves to establish the third arc (coming in spring of 2024) with a new mission, new allies, and plenty of new problems waiting ahead. The ongoing use of spreads in this series' over-sized format provides some of the most impressive layouts in comics this November. Each issue of The Forged provides outstanding artwork combined with a good sense of humor and ambitious sci-fi craft, and issue #6 assures readers that streak will continue for many issues to come. -- Chase Magnett

Rating: 4 out of 5

GEIGER: GROUND ZERO #1

There is a lot of worldbuilding taking place in Geiger: Ground Zero, but there story is accessible to new readers. There are elements plucked from real-world events, or events that could take place in our everyday world. The Glowing Man is in search of his family, but is being hunted for being a radioactive monster. His origin story is quite sad, especially when you factor in being from another country. Geoff Johns, Gary Frank, and Brad Anderson are a powerhouse creative team, so fans of their work will want to pick this up to follow their story. -- Tim Adams

Rating: 3 out of 5

G.I. JOE: A REAL AMERICAN HERO #301

G.I. Joe: A Real American Hero begins its third life (or fourth, if you count the Devil's Due Publishing era) with issue #301. Larry Hama returns to continue writing the series, which exists separate from the G.I. Joe stories being told as part of Skybound's burgeoning Energon Universe. While Skybound emphasizes the "1st issue" part of the "301st issue" on the cover, the story inside this comic picks up right where #300 left off. Efforts are made to quickly familiarize potential new readers with the basic concept of the G.I. Joe team and Cobra, and one's reaction to the latter being described as a terrorist organization that started life a pyramid scheme with a rogue orthodontist as its second-in-command will likely serve as a suitable litmus test for whether or not this comic book is for them. With introductions out of the way, it's easy to get swept up in the atmosphere and dramatics of the story even if the specifics may be unclear to newcomers. Chris Mooneyham's artwork feels classic in a way that makes it suit this 40-year-old ongoing series while still having a modern touch that keeps it from falling into pastiche territory. Francesco Segala's golden hour colors add a warmth and gravitas that elevates the tragic ending and signifies the transition from the old era to the new, not only because of the move to a different publisher but because the rogue orthodontist's rebellious clone of Genghis Kahn set off a silent nuke that turned them all into mutant cannibals. Yeah, this comic rules. -- Jamie Lovett

Rating: 4 out of 5

A HAUNTED GIRL #2

A really enjoyed A Haunted Girl #2, but I feel like there is a bit of a disconnect from the end of the first issue and this second issue, almost as if the second issue is as much a first issue as the first issue was. We don't really advance the story too much, save for to see Cleo struggle to integrate into high school as her haunting intensifies, but the actual mystery of what she's dealing with feels a little stagnant here. The art is still quite lovely and there's a great bit of reverence for mental health, both aspects which elevate the book, but narratively it very much feels like we haven't advanced very much which is a bit of a problem for a story that is hinting at having wide implication. -- Nicole Drum

Rating: 2.5 out of 5

HEXAGON BRIDGE #3

Adley and Staden begin their trip into the alternate dimension to rescue Adley's parents. Hexagon Bridge continues at its slow pace, but the art continues to be the highlight of the issue. Blake's art is absolutely gorgeous to behold so this continues to be one of the best-looking comics Image has put out in years. -- Christian Hoffer

Rating: 5 out of 5

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Other Publishers #3

JUNIOR BAKER THE RIGHTEOUS FAKER #3

This is such a gorgeous book to look at. Not just the art itself, but the trippy, experimental layouts used from page to page make flipping through Junior Baker an experience on its own. The story itself continues to be more concerned with heady concepts than an actual mystery, though, and it makes for a more complicated read than it needs to be. -- Charlie Ridgely

Rating: 3 out of 5

KILLADELPHIA #31

Killadelphia #31 features one of the most insane crossovers that I think I've ever seen--Spawn comes to Killadelphia this issue--but for as insane as it sounds, it somehow works. The already complex and rich world and mythology that Rodney Barnes has created somehow expands perfectly to fit Spawn into it and it's Spawn's presence that actually helps order the conflict in a way one might not expect. Heaven and Hell themselves are at war in Philadelphia and things are much larger than merely vampires versus humans now. For a story that takes a lot of twists and turns all without ever losing sight of the core issues and commentary, this is a very big swing but it works brilliantly, completely redefining things in a way that just makes it all fresh while still feeling familiar. The art here is also incredible. This is a great issue. -- Nicole Drum

Rating: 5 out of 5

LOTUS LAND #1

Boom's latest cyberpunk noir story, Lotus Land, creates a fantastic setting for what is looking to be an emotional story with shades of Blade Runner. All is not laid out to bare in this premiere issue focusing on former gumshoe Bennie Strikman. The first issue revolves around Strikman being pulled out of retirement to crack the case of someone attacking a computer program known as the Keeper Program, which is gluing society together. Poelgeest and Filipe might not make a perfect first issue, but its a very solid one that has me itching to see where the cyberpunk noir story goes next. Boom's always had a solid streak when it comes to exploring new worlds that might not make the cut at other publishers and Lotus Land is a prime example. -- Evan Valentine

Rating: 4 out of 5

THE MINISTRY OF COMPLIANCE #1

The Ministry of Compliance #1 offers readers a nearly 60-page introduction to a new sci-fi tale of global conquest and alien bureaucracy for an outstanding price, but what's contained within those pages doesn't offer much confidence in the series' premise or execution. It contains a sound structure that capably introduces an alien conspiracy composed of various ministries determined to harvest Earth's resources with a wide range of characters and motives; that alone merits acknowledgement. Yet the aliens are all portrayed as interchangeable, suit-wearing cogs and their meetings take place largely in generic board rooms. There's very little on the page to evoke a sense of wonder or strangeness, and the violence is largely interchangeable with current superhero fare. Although the concept and thematic ties to mixed-identity status are clear, there's no hook to be found to make these alien conquerors sympathetic or particularly intriguing. Ultimately, The Ministry of Compliance #1 reads like an illustrated script designed for screens and budgets lacking in the visual aplomb that makes sci-fi stories in comics so appealing. It's a disappointment that never answers the question why all of this grandiose plotting looks so dull on the page. -- Chase Magnett

Rating: 2 out of 5

THE ODDLY PEDESTRIAN LIFE OF CHRISTOPHER CHAOS #5

Christopher Chaos and his friends finally receive some context for who they are as monsters and what came before them. An extended expository monologue from Adam Frankenstein is paired with a tour of the series' most compelling new setting that neatly balances the dumping of long overdue information. It certainly helps that the issue opens with an exciting action sequence that, while vague in its causes and effects, offers plenty of thrilling effects on the page. The Oddly Pedestrian Life of Christopher Chaos #5 seems to embrace what the series has avoided acknowledging until this moment as it assembles its four teenagers like a horror-themed superhero team facing a supervillain and their many minions. While very familiar, it's a staging that functions and serves the available artwork and ideas better than the (lack of) structure in earlier installments. Even if the cliffhanger reads as being forced, it establishes the greatest expectations of any last page in the series to date and that's a notable improvement. -- Chase Magnett

Rating: 3.5 out of 5

OPERATION SUNSHINE #2

Operation Sunshine #2 is a little confusing, but a part of that is the structure. The issue drops readers in right where the first issue leaves off and attempts to provide backstory as to who Anwar is after while also informing Hex and Steve at the same time. That backstory is devised to introduce us to several other characters while also spreading a bit of distrust for Anwar who may or may not exactly be trustworthy. It's pretty dense and there's a lot to pick through and at times some of the dialogue and characterizations seem superfluous. But Anwar is weirdly likable even if bordering on moustache twirling territory and while some of the overall plot of what is going on feels a little muddled here, the mess Hex and Steve have found themselves in is interesting enough to keep going. It's a little rough, just like the first issue, but it still holds promise. -- Nicole Drum

Rating: 3 out of 5

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Other Publishers #4

comic-reviews-the-deviant-1.jpg
(Photo: Image Comics)

PROJECT: CRYPTID #3

If I was to give a friend any one of the issues to sell Project: Cryptpid, it would be this one. Both stories here, the first following the "Loveland Frogman" and the second follows the "Gumberoo," a.k.a. the Demons in the Pines. The first story is the one that had me laughing at the sheer ridiculousness of its premise, wherein a helpful frog/human hybrid has spent his whole life attempting to aid the town of Loveland, but is now being hunted by the protagonist who believes that the Frogman didn't help him enough. Gumberoo might not be as strong as its predecessor, but it is almost as funny and does give readers some hilarious visuals. I had an absolute blast with this issue and didn't expect this to be one of the funniest comics of 2023. -- Evan Valentine

Rating: 4 out of 5

RED SONJA #5

This issue is a doozy, but a rewarding one. In the span of 20-something pages, we get an excellent self-contained fight for Sonja, some larger developments in lore, and one hell of a cliffhanger. Torunn Gronbekk's script navigates it all in an overwhelming but entertaining manner. The art from Walter Geovani is great in some moments and underbaked in others -- but overall, this issue is a worthwhile journey. -- Jenna Anderson

Rating: 4 out of 5

THE ROCKETEER: IN THE DEN OF THIEVES #4

The Rocketeer: In the Den of Thieves has been a fun series to read, but issue #4, like the previous one, spends a lot of its real estate just adding some window dressing that doesn't push things along. Writer Stephen Mooeny does finally get the story to a place where it delivers a big fight that Rocketeer fans will love, expertly put together by artist David Messina. Messina not only continues his tradition of fun paneling but also staging the action beats to be clear and precise. The end of the issue is a major surprise though as it concludes the entire storyline, doing so in a way that will leave readers wondering, 'wait, that was it?'. -- Spencer Perry

Rating: 3 out of 5

SCRAPPER #5

Scrapper #5 suffers a little bit from pacing as the penultimate issue. The first part of the issue moves a little slow, then it speeds up only to shove an emotional twist on the readers, and then twists again with a frenetic final few pages to set up the finale. Layered into that are some big emotional lessons for Scrapper as he and the cats work to not only free the strays but also stop SMITE from their truly evil plans but with the strange pacing, a lot of those emotional developments feel awkward or forced. I hate to use the term filler, but it does almost feel like this issue is a bit of filler in that it has to take up the space but also introduce a couple of quick things for what is going to be either a gut-wrenching finale or something truly uplifting. It could go either way at this point. -- Nicole Drum

Rating: 3 out of 5

TERRORWAR #7

Readers get some answers regarding the origin of the Terrors. And of course, it has to do with humanity taking advantage of and profiting off the suffering of others. The Blue City represents how the rich keep on getting richer while the poor languish in poverty. It's a very relatable tale, but nothing too original as far as themes go. -- Tim Adams

Rating: 3 out of 5

TIME BEFORE TIME #29

Time Before Time comes to a close here with issue #29 and its conclusion is one that I'm largely left satisfied by. From start to finish, this final installment of Time Before Time delivers strong character work and has a message that feels as though its speaking directly to the reader. Despite this, I'm still left feeling like there was more ground left for Time Before Time to cover. This is a world that I have greatly enjoyed becoming engrossed within and for the series not to even last 30 issues is borderline robbery. Still, if this is truly the end for Time Before Time, I've largely loved every panel of this series and cannot recommend it enough to anyone who loves comics. -- Logan Moore

Rating: 4.5 out of 5

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